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	<title>Parallax View &#187; John Ford</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>SFSFF 2011: John Ford&#8217;s Upstream</title>
		<link>http://parallax-view.org/2011/07/16/sfsff-2011-john-fords-upstream/</link>
		<comments>http://parallax-view.org/2011/07/16/sfsff-2011-john-fords-upstream/#comments</comments>
		<pubDate>Sat, 16 Jul 2011 19:54:42 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[San Francisco Silent Film Festival 2011]]></category>
		<category><![CDATA[Upstream]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8695</guid>
		<description><![CDATA[The biggest film history news of 2010 was without a doubt the discovery of Upstream (1927), a John Ford comedy from the late silent era previously thought lost, found in a New Zealand film archive along with numerous other American shorts, features and fragments. After screenings in Los Angeles, Pordenone, New York and elsewhere, San [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>SFSFF 2010: The Iron Horse</title>
		<link>http://parallax-view.org/2010/07/16/sfsff-2010-the-iron-horse/</link>
		<comments>http://parallax-view.org/2010/07/16/sfsff-2010-the-iron-horse/#comments</comments>
		<pubDate>Fri, 16 Jul 2010 23:13:44 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[George O'Brien]]></category>
		<category><![CDATA[San Francisco Silent Film Festival 2010]]></category>
		<category><![CDATA[SFSFF 2010]]></category>
		<category><![CDATA[The Iron Horse]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=5571</guid>
		<description><![CDATA[The San Francisco Silent Film Festival, the biggest and most well-curated silent film festival in the United States, celebrates its 15th edition by adding a day of screenings, opening Thursday, July 15 with a screening of John Ford&#8217;s The Iron Horse (from Dennis James&#8217; personal 35mm print) and then launching into the weekend with the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Stagecoach arrives in a new Criterion edition, plus No Orchids for Miss Blandish and Silver Lode &#8211; DVDs of the Week</title>
		<link>http://parallax-view.org/2010/05/25/stagecoach-arrives-in-a-new-criterion-edition-plus-no-orchids-for-miss-blandish-and-silver-lode-dvds-of-the-week/</link>
		<comments>http://parallax-view.org/2010/05/25/stagecoach-arrives-in-a-new-criterion-edition-plus-no-orchids-for-miss-blandish-and-silver-lode-dvds-of-the-week/#comments</comments>
		<pubDate>Tue, 25 May 2010 09:06:05 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[Westerns]]></category>
		<category><![CDATA[No Orchids for Miss Blandish]]></category>
		<category><![CDATA[Silver Lode]]></category>
		<category><![CDATA[Stagecoach]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=5070</guid>
		<description><![CDATA[Stagecoach (Criterion) DVD and Blu-ray John Ford&#8217;s classic western is a landmark of the genre for so many reasons: mature, classically constructed and superbly directed, it made a star of John Wayne, revitalized the western genre and introduced Ford to the breathtaking landscape of Monument Valley, which would become the mythic backdrop of his west. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;Somebody&#8217;s Fiddle&#8221;: Traditional Music in &#8220;The Searchers&#8221;</title>
		<link>http://parallax-view.org/2009/12/13/somebody%e2%80%99s-fiddle-traditional-music-in-the-searchers/</link>
		<comments>http://parallax-view.org/2009/12/13/somebody%e2%80%99s-fiddle-traditional-music-in-the-searchers/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 03:43:14 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film music]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[Westerns]]></category>
		<category><![CDATA[Bonnie Blue Flag]]></category>
		<category><![CDATA[Lorena]]></category>
		<category><![CDATA[Max Steiner]]></category>
		<category><![CDATA[The Searchers]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3850</guid>
		<description><![CDATA[Martin Pawley has barged into Charlie McCorry&#8217;s wedding to Martin&#8217;s childhood sweetheart Laurie Jorgenson, and the two have waded into a typically Fordian brawl—momentary comic relief from the darker concerns of most of The Searchers. Suddenly, Charlie interrupts the fistfight: “Somebody&#8217;s fiddle!” he cautions, picking up an overlooked musical instrument and handing it hastily out [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>John Ford&#8217;s Wilderness: The Man Who Shot Liberty Valance</title>
		<link>http://parallax-view.org/2009/05/21/john-fords-wilderness-the-man-who-shot-liberty-valance/</link>
		<comments>http://parallax-view.org/2009/05/21/john-fords-wilderness-the-man-who-shot-liberty-valance/#comments</comments>
		<pubDate>Thu, 21 May 2009 16:55:17 +0000</pubDate>
		<dc:creator>David Coursen</dc:creator>
				<category><![CDATA[by David Coursen]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[James Stewart]]></category>
		<category><![CDATA[John Wayne]]></category>
		<category><![CDATA[The Man Who Shot Liberty Valance]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=2295</guid>
		<description><![CDATA[[originally published in slightly different form in Sight and Sound, Autumn 1978, Volume 47 No. 4; reprinted with thanks to BFI] The Man Who Shot Liberty Valance has been so widely discussed, dissected and applauded that by now it must rank as one of John Ford&#8217;s least underappreciated films. Its reputation is due in no [...]]]></description>
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		<slash:comments>6</slash:comments>
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