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	<title>Parallax View &#187; Francis Ford Coppola</title>
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	<description>Smart Words About Cinema</description>
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		<title>&#8220;Apocalypse Now&#8221;: an audiovisual aid</title>
		<link>http://parallax-view.org/2008/10/01/apocalypse-now-an-audiovisual-aid/</link>
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		<pubDate>Wed, 01 Oct 2008 07:43:08 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Apocalypse Now]]></category>
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		<guid isPermaLink="false">http://parallax-view.org/?p=341</guid>
		<description><![CDATA[[Originally published in The Weekly (Seattle), October 17, 1979] It was like another art altogether. That sombre theme had to be given a sinister resonance, a tonality of its own, a continued vibration that, I hoped, would hang in the air and dwell on the ear after the last note had been struck. â€”Joseph Conrad [...]]]></description>
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		<title>Altman and Coppola in the Seventies: Power and the People</title>
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		<pubDate>Mon, 29 Sep 2008 07:18:34 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
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		<category><![CDATA[Francis Ford Coppola]]></category>
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		<description><![CDATA[[Editor's Note: The House Next Door is currently reissuing a series of articles developed at 24LiesASecond, a now-defunct platform for provocative criticism with an underdog bite. Author Bob Cumbow is a member of the Parallax View collective and his essays are being published simultaneously on Parallax View. The essay below was first published on 11/26/2005, [...]]]></description>
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