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	<title>Parallax View &#187; Douglas Sirk</title>
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		<title>Barbara Stanwyck at Universal and Criterion&#8217;s Southern Revivals &#8211; DVDs of the Week</title>
		<link>http://parallax-view.org/2010/04/27/barbara-stanwyck-at-universal-and-criterions-southern-revivals-dvds-of-the-week/</link>
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		<pubDate>Tue, 27 Apr 2010 12:33:43 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Douglas Sirk]]></category>
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		<category><![CDATA[Internes Can't Take Money]]></category>
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		<category><![CDATA[Joel McCrea]]></category>
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		<category><![CDATA[Ride With The Devil (Director's Cut)]]></category>
		<category><![CDATA[Sidney Lumet]]></category>
		<category><![CDATA[Tennessee Williams]]></category>
		<category><![CDATA[The Fugitive Kind]]></category>
		<category><![CDATA[The Great Man's Lady]]></category>
		<category><![CDATA[There's Always Tomorrow]]></category>
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		<description><![CDATA[The Barbara Stanwyck Collection (Universal Backlot Series) (Universal) Barbara Stanwyck, that powerhouse actress of the sound era of Hollywood cinema, is gifted with a style and sensibility that has arguably aged more convincingly and compellingly into the 21st century than her contemporaries. While you can&#8217;t really say her performance elevates every one of her films [...]]]></description>
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		<title>&#8220;Magnificent Obsession&#8221; &#8211; DVD of the Week 1/20/09</title>
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		<pubDate>Tue, 20 Jan 2009 04:10:26 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Douglas Sirk]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Magnificent Obsession]]></category>

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		<description><![CDATA[Deep in the second act of Douglas Sirk&#8217;s Magnificent Obsession, as Jane Wyman&#8217;s blind heroine Helen Hudson mourns for her lost sight after a disappointing prognosis from the world&#8217;s greatest ocular specialists in a Swiss Clinic, she steps out of her bedroom and into the drawing room of her accommodations (no tourist class for this [...]]]></description>
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		<title>Douglas Sirk: An Introduction</title>
		<link>http://parallax-view.org/2009/01/18/douglas-sirk-an-introduction/</link>
		<comments>http://parallax-view.org/2009/01/18/douglas-sirk-an-introduction/#comments</comments>
		<pubDate>Sun, 18 Jan 2009 21:10:35 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Douglas Sirk]]></category>
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		<category><![CDATA[All I Desire]]></category>
		<category><![CDATA[All The Heaven Allows]]></category>
		<category><![CDATA[Has Anybody Seen My Gal?]]></category>
		<category><![CDATA[Imitation of Life]]></category>
		<category><![CDATA[Magnificent Obsession]]></category>
		<category><![CDATA[Tarnished Angels]]></category>
		<category><![CDATA[Written on the Wind]]></category>

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		<description><![CDATA[[Criterion releases Douglas Sirk's Magnificent Obsession this week. In celebration, I offer this essay, which was originally published on GreenCine in 2007] Halfway through Written on the Wind (1956), after oil baron Robert Keith has been bluntly confronted by the tawdry affairs of his alcoholic daughter Dorothy Malone, the dialogue drops out and the driving [...]]]></description>
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