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	<title>Parallax View &#187; by Sean Axmaker</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
	<lastBuildDate>Tue, 22 May 2012 16:23:58 +0000</lastBuildDate>
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		<title>DVD/Blu-ray: Abbas Kiarostami&#8217;s &#8216;Certified Copy&#8217;</title>
		<link>http://parallax-view.org/2012/05/22/dvdblu-ray-abbas-kiarostamis-certified-copy/</link>
		<comments>http://parallax-view.org/2012/05/22/dvdblu-ray-abbas-kiarostamis-certified-copy/#comments</comments>
		<pubDate>Tue, 22 May 2012 16:18:11 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Certified Copy]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11162</guid>
		<description><![CDATA[The Certified Copy (Criterion) of Iranian master Abbas Kiarostami&#8217;s first European production refers to artworks – Why do we value a reproduction less than an original and what does authenticity even mean? – but resonates just as effectively with the art of filmmaking and its relationship to reproduction and recreation. &#8220;It&#8217;s our perception that gives it [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Seattle Screens: All SIFF 2012, All the Time (or so it seems)</title>
		<link>http://parallax-view.org/2012/05/17/seattle-screens-all-siff-2012-all-the-time-or-so-it-seems/</link>
		<comments>http://parallax-view.org/2012/05/17/seattle-screens-all-siff-2012-all-the-time-or-so-it-seems/#comments</comments>
		<pubDate>Fri, 18 May 2012 01:13:16 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Seattle Screens]]></category>
		<category><![CDATA[SIFF 2012]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11112</guid>
		<description><![CDATA[While The Dictator and Battleship compete for multiplex audiences, the usually robust Seattle film scene has otherwise given a wide berth to the annual event that devours all. Yes, SIFF 2012 has begun. Opening night celebrates local filmmaker Lynn Shelton&#8217;s latest, My Sister&#8217;s Sister, and by extension an impressive line-up of Washington State-born films. From [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Notes on Abel Gance&#8217;s &#8216;Napoleon&#8217;</title>
		<link>http://parallax-view.org/2012/05/17/notes-on-abel-gances-napoleon/</link>
		<comments>http://parallax-view.org/2012/05/17/notes-on-abel-gances-napoleon/#comments</comments>
		<pubDate>Fri, 18 May 2012 00:41:59 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[Napoleon]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11119</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>DVD: &#8216;The Buccaneer&#8217;</title>
		<link>http://parallax-view.org/2012/05/17/dvd-the-buccaneer/</link>
		<comments>http://parallax-view.org/2012/05/17/dvd-the-buccaneer/#comments</comments>
		<pubDate>Thu, 17 May 2012 17:38:16 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Cecil B. DeMille]]></category>
		<category><![CDATA[Fredric March]]></category>
		<category><![CDATA[The Buccaneer]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11108</guid>
		<description><![CDATA[Cecil B. DeMille&#8217;s The Buccaneer is a pirate movie by way of a grand historical adventure a la DeMille. Based loosely on the true story of the French-born &#8220;privateer&#8221; Jean Lafitte (he preferred the term to pirate), who fought side-by-side with General Andrew Jackson against the British in the War of 1812, it stars Fredric March as [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>DVD/Blu-ray: Mario Monicelli&#8217;s &#8216;The Organizer&#8217;</title>
		<link>http://parallax-view.org/2012/05/16/dvdblu-ray-mario-monicellis-the-organizer/</link>
		<comments>http://parallax-view.org/2012/05/16/dvdblu-ray-mario-monicellis-the-organizer/#comments</comments>
		<pubDate>Wed, 16 May 2012 15:21:14 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Marcello Mastroianni]]></category>
		<category><![CDATA[Mario Monicelli]]></category>
		<category><![CDATA[The Organizer]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11106</guid>
		<description><![CDATA[Mario Monicelli, one of the most prolific and popular directors of post-war Italian cinema, never earned a reputation in the U.S. like his compadre, Federico Fellini, despite the international success of numerous films, from Big Deal on Madonna Street (1958) to A Very Petit Bourgeois (1977). Perhaps it&#8217;s because his preferred genre was comedy, notably the commedia all&#8217;italiana, a mix [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Restoring the Lost &#8216;Metropolis&#8217;</title>
		<link>http://parallax-view.org/2012/05/15/restoring-the-lost-metropolis/</link>
		<comments>http://parallax-view.org/2012/05/15/restoring-the-lost-metropolis/#comments</comments>
		<pubDate>Wed, 16 May 2012 02:22:48 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Metropolis]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11102</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MOD Movies: Tod Browning and Lon Chaney – Partners in Madness and Obsession</title>
		<link>http://parallax-view.org/2012/05/13/mod-movies-tod-browning-and-lon-chaney-partners-in-madness-and-obsession/</link>
		<comments>http://parallax-view.org/2012/05/13/mod-movies-tod-browning-and-lon-chaney-partners-in-madness-and-obsession/#comments</comments>
		<pubDate>Sun, 13 May 2012 22:56:25 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Lon Chaney]]></category>
		<category><![CDATA[Tod Browning]]></category>
		<category><![CDATA[West of Zanzibar]]></category>
		<category><![CDATA[Where East is East]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11081</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: &#8216;Bird of Paradise&#8217;</title>
		<link>http://parallax-view.org/2012/05/12/dvdblu-ray-bird-of-paradise/</link>
		<comments>http://parallax-view.org/2012/05/12/dvdblu-ray-bird-of-paradise/#comments</comments>
		<pubDate>Sun, 13 May 2012 00:34:31 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Bird of Paradise]]></category>
		<category><![CDATA[Dolores Del Rio]]></category>
		<category><![CDATA[Joel McCrea]]></category>
		<category><![CDATA[King Vidor]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11071</guid>
		<description><![CDATA[There was a vogue for South Seas exotica in the late silent and early sound era, films made up of varying degrees of ethnographic revelation, social commentary, and erotic spectacle. Moana (1926), Robert Flaherty&#8217;s documentary portrait of life in Samoa, is the first expression of this idealized screen fantasy (every scene was carefully staged for his cameras), [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Seattle Screens: Silent Rarities and &#8216;Children of Paradise&#8217;</title>
		<link>http://parallax-view.org/2012/05/10/seattle-screens-silent-rarities-and-children-of-paradise/</link>
		<comments>http://parallax-view.org/2012/05/10/seattle-screens-silent-rarities-and-children-of-paradise/#comments</comments>
		<pubDate>Thu, 10 May 2012 23:07:37 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Seattle Screens]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11045</guid>
		<description><![CDATA[Tim Burton will try to cast his Dark Shadows across the worldwide domination of The Avengers this weekend, but while these splashy, fantastical Hollywood heavyweights battle it out for box supremacy (and The Best Exotic Marigold Hotel reaches out the older demographic), there are plenty of alternatives for discerning filmgoers. The UCLA Festival of Preservation [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Seattle Screens: SIFF Reveals, STIFF Unfolds, NWFF Perseveres with Preservations</title>
		<link>http://parallax-view.org/2012/05/04/seattle-screens-siff-reveals-stiff-unfolds-nwff-perseveres-with-preservations/</link>
		<comments>http://parallax-view.org/2012/05/04/seattle-screens-siff-reveals-stiff-unfolds-nwff-perseveres-with-preservations/#comments</comments>
		<pubDate>Fri, 04 May 2012 17:24:20 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Seattle Screens]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10925</guid>
		<description><![CDATA[The Avengers Assemble! But while the superhero supermovie takes over thousands of screens across the country (where the instant audience favorite will surely play to packed houses), Seattle audiences have plenty of alternatives: festivals of films new and old, including the 7th Annual SIFF alternative STIFF and the UCLA Festival of Preservation. Read on for [...]]]></description>
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