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	<title>Parallax View &#187; by Sean Axmaker</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
	<lastBuildDate>Wed, 08 Feb 2012 16:26:40 +0000</lastBuildDate>
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		<title>MOD Movies: &#8216;Safe in Hell&#8217; and other Pre-Code Pleasures</title>
		<link>http://parallax-view.org/2012/02/05/mod-movies-safe-in-hell-and-other-pre-code-pleasures/</link>
		<comments>http://parallax-view.org/2012/02/05/mod-movies-safe-in-hell-and-other-pre-code-pleasures/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 18:52:58 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Pre-code Cinema]]></category>
		<category><![CDATA[Dorothy Mackaill]]></category>
		<category><![CDATA[Havana Widows]]></category>
		<category><![CDATA[I've Got Your Number]]></category>
		<category><![CDATA[Joan Blondell]]></category>
		<category><![CDATA[Loose Ankles]]></category>
		<category><![CDATA[Loretta Young]]></category>
		<category><![CDATA[Myrna Loy]]></category>
		<category><![CDATA[Party Husband]]></category>
		<category><![CDATA[Road to Paradise]]></category>
		<category><![CDATA[Safe in Hell]]></category>
		<category><![CDATA[The Naughty Flirt]]></category>
		<category><![CDATA[The Office Wife]]></category>
		<category><![CDATA[The Right of Way]]></category>
		<category><![CDATA[The Truth About Youth]]></category>
		<category><![CDATA[Week-End Marriage]]></category>
		<category><![CDATA[William Wellman]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10261</guid>
		<description><![CDATA[11 sassy, sexy and sometimes stiff early sound pictures with attitude from the Warner Archive. When Hollywood was trying to find its way in the early sound era, learning to work around the sudden production constrictions imposed by sound recording and editing while struggling to find its own distinctive voice and delivery, it was also [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>New on Blu-ray: Hitchcock, Huston and the First Oscar Winner</title>
		<link>http://parallax-view.org/2012/02/01/new-on-blu-ray-hitchcock-huston-and-the-first-oscar-winner/</link>
		<comments>http://parallax-view.org/2012/02/01/new-on-blu-ray-hitchcock-huston-and-the-first-oscar-winner/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 01:50:25 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[John Huston]]></category>
		<category><![CDATA[Notorious]]></category>
		<category><![CDATA[Rebecca]]></category>
		<category><![CDATA[Spellbound]]></category>
		<category><![CDATA[The Roots of Heaven]]></category>
		<category><![CDATA[William Wellman]]></category>
		<category><![CDATA[Wings]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10235</guid>
		<description><![CDATA[Hitchcock / Selznick: Rebecca, Notorious, Spellbound (MGM) Hindsight is 20/20, but teaming of British perfectionist director Alfred Hitchcock and American iconoclast producer David O. Selznick was doomed to conflict. Selznick, who brought Hitchcock to Hollywood with an exclusive contract, was a director in all but name. He micromanaged his pictures down to the shot, rewriting [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>DVD/Blu-ray: Le Cinema Fantastique de Jean Rollin</title>
		<link>http://parallax-view.org/2012/01/29/dvdblu-ray-le-cinema-fantastique-de-jean-rollin/</link>
		<comments>http://parallax-view.org/2012/01/29/dvdblu-ray-le-cinema-fantastique-de-jean-rollin/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 02:50:04 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Fascination]]></category>
		<category><![CDATA[Jean Rollin]]></category>
		<category><![CDATA[Lips Of Blood]]></category>
		<category><![CDATA[The Iron Rose]]></category>
		<category><![CDATA[The Nude Vampire]]></category>
		<category><![CDATA[The Shiver Of The Vampires]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10219</guid>
		<description><![CDATA[There was no director like Jean Rollin, the French horror fantasist who died in 2010 and left behind a strange and wonderful (and sometimes horrible) legacy in his distinctive films. His reputation never really extended beyond cult circles but the weird sensibility and distinctive style and imagery of his sex-and-horror exploitation films, and his ability [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>They Shoulda Been a Contender: 2012 Oscar Snubs</title>
		<link>http://parallax-view.org/2012/01/24/they-shoulda-been-a-contender-2012-oscar-snubs/</link>
		<comments>http://parallax-view.org/2012/01/24/they-shoulda-been-a-contender-2012-oscar-snubs/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 21:30:19 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Best of 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10199</guid>
		<description><![CDATA[By sheer numbers, the 84th Annual Academy Award Nominations seems to belong to Hugo, with 11 nominations. But given those are largely in the technical / craft categories, the success story this year is The Artist, a modern silent movie, shot in black and white, with two French stars practically unknown in the United States. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview: Matt Wilkins on Filmmaking, Family and &#8216;Marrow&#8217;</title>
		<link>http://parallax-view.org/2012/01/23/interview-matt-wilkins-on-filmmaking-family-and-marrow/</link>
		<comments>http://parallax-view.org/2012/01/23/interview-matt-wilkins-on-filmmaking-family-and-marrow/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 00:51:34 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Eliza Fox]]></category>
		<category><![CDATA[Marrow]]></category>
		<category><![CDATA[Matt Wilkins]]></category>
		<category><![CDATA[Ryan Purcell]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10184</guid>
		<description><![CDATA[Marrow screens at Northwest Film Forum for two nights, on Tuesday, January 24 and Wednesday, January 25. See the NWFF website for showtimes and ticket information. I&#8217;ve known filmmakers Matt Wilkins and Eliza Fox for almost eight years. I met them when their first film, Buffalo Bill&#8217;s Defunct, had its local premiere at SIFF in [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/01/23/interview-matt-wilkins-on-filmmaking-family-and-marrow/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cluttered Homes and Haunted Houses: Matt Wilkins and &#8216;Marrow&#8217;</title>
		<link>http://parallax-view.org/2012/01/23/cluttered-homes-and-haunted-houses-matt-wilkins-and-marrow/</link>
		<comments>http://parallax-view.org/2012/01/23/cluttered-homes-and-haunted-houses-matt-wilkins-and-marrow/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 14:23:11 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Eliza Fox]]></category>
		<category><![CDATA[Frances Hearn]]></category>
		<category><![CDATA[Marrow]]></category>
		<category><![CDATA[Matt Wilkins]]></category>
		<category><![CDATA[Todd Jefferson Moore]]></category>
		<category><![CDATA[Wiley Wilkins]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10176</guid>
		<description><![CDATA[Marrow, the second feature from Seattle filmmaker Matt Wilkins, screens at Northwest Film Forum for two nights, on Tuesday, January 24 and Wednesday, January 25, with director Wilkins in attendance. I wrote a profile of Wilkins and his film for the film&#8217;s local debut at SIFF 2011. I reprint the feature, originally published in Seattle [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/01/23/cluttered-homes-and-haunted-houses-matt-wilkins-and-marrow/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Max Ophuls in Hollywood on Turner Classic Movies</title>
		<link>http://parallax-view.org/2012/01/22/max-ophuls-in-hollywood-on-turner-classic-movies/</link>
		<comments>http://parallax-view.org/2012/01/22/max-ophuls-in-hollywood-on-turner-classic-movies/#comments</comments>
		<pubDate>Sun, 22 Jan 2012 16:23:53 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Max Ophuls]]></category>
		<category><![CDATA[Caught]]></category>
		<category><![CDATA[James Mason]]></category>
		<category><![CDATA[Joan Bennett]]></category>
		<category><![CDATA[Joan Fontaine]]></category>
		<category><![CDATA[Letter From An Unknown Woman]]></category>
		<category><![CDATA[The Exile]]></category>
		<category><![CDATA[The Reckless Moment]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10167</guid>
		<description><![CDATA[On Monday, January 23, Turner Classic Movies is showing all four films made by Max Ophuls, the great German director, during his brief tenure in America (when he dropped the &#8220;h&#8221; and signed his films &#8220;Max Opuls&#8221;). The evening of &#8220;Max Ophuls in Hollywood&#8221; is followed by two of his greatest French films, La Ronde [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/01/22/max-ophuls-in-hollywood-on-turner-classic-movies/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>DVD-R: &#8216;No Blade of Grass&#8217;</title>
		<link>http://parallax-view.org/2012/01/21/dvd-r-no-blade-of-grass/</link>
		<comments>http://parallax-view.org/2012/01/21/dvd-r-no-blade-of-grass/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 18:20:45 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Cornel Wilde]]></category>
		<category><![CDATA[Jean Wallace]]></category>
		<category><![CDATA[John Christopher]]></category>
		<category><![CDATA[Nigel Davenport]]></category>
		<category><![CDATA[No Blade of Grass]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10161</guid>
		<description><![CDATA[Cornel Wilde&#8217;s grim, fatalistic end-of-the-world thriller No Blade of Grass is a forgotten dystopian classic of its time. Gritty and brutal, built on fears of ecological devastation through pollution and overcrowding (with hints of genetic manipulation gone bad), this 1970 eco-apocalypse thriller seems to have gotten lost in the overcrowded apocalypse now science fiction cinema [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/01/21/dvd-r-no-blade-of-grass/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVDs of the Week: &#8216;Il Cappotto,&#8217; &#8216;Mysteries of Lisbon&#8217; and &#8216;United Red Army&#8217;</title>
		<link>http://parallax-view.org/2012/01/18/dvds-of-the-week-il-cappotto-mysteries-of-lisbon-and-united-red-army/</link>
		<comments>http://parallax-view.org/2012/01/18/dvds-of-the-week-il-cappotto-mysteries-of-lisbon-and-united-red-army/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 17:07:39 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Alberto Lattuada]]></category>
		<category><![CDATA[Il Cappotto]]></category>
		<category><![CDATA[Koji Wakamatsu]]></category>
		<category><![CDATA[Mysteries of Lisbon]]></category>
		<category><![CDATA[Raul Ruiz]]></category>
		<category><![CDATA[Renato Rascel]]></category>
		<category><![CDATA[United Red Army]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10145</guid>
		<description><![CDATA[Il Cappotto / The Overcoat (Raro) Italian director Alberto Lattuada adapts and expands Nikolai Gogol&#8217;s short story about a mousy clerk who gets a newfound respect when he purchases a handsome new overcoat in this little-seen classic from 1952 Italy. Overshadowed by the neo-realist films of the day, the satirical, smartly-made &#8220;The Overcoat&#8221; is just [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/01/18/dvds-of-the-week-il-cappotto-mysteries-of-lisbon-and-united-red-army/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: Tokyo Drifter</title>
		<link>http://parallax-view.org/2012/01/10/dvdblu-ray-tokyo-drifter/</link>
		<comments>http://parallax-view.org/2012/01/10/dvdblu-ray-tokyo-drifter/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 19:11:59 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Seijun Suzuki]]></category>
		<category><![CDATA[Tetsuya Watari]]></category>
		<category><![CDATA[Tokyo Drifter]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10124</guid>
		<description><![CDATA[Seijun Suzuki isn&#8217;t necessarily a familiar name to many fans of foreign cinema &#8212; he was practically unknown outside of Japan for decades &#8212; but in the early 1990s, his &#8220;rediscovery&#8221; stateside made him an instant cult hero to fans of genre cinema with maverick visions. Suzuki was nothing if not a maverick, a prolific [...]]]></description>
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		<slash:comments>0</slash:comments>
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