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	<title>Parallax View &#187; by Robert Horton</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>House of Bamboo (The Cornfield #40)</title>
		<link>http://parallax-view.org/2011/09/04/house-of-bamboo-the-cornfield-40/</link>
		<comments>http://parallax-view.org/2011/09/04/house-of-bamboo-the-cornfield-40/#comments</comments>
		<pubDate>Mon, 05 Sep 2011 02:55:50 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[House of Bamboo]]></category>
		<category><![CDATA[Sam Fuller]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9152</guid>
		<description><![CDATA[CinemaScope was de rigueur at Fox at this moment (1955), so here is Samuel Fuller going widescreen for a bright-lit color-filled noir shot in Japan. Like Hell and High Water just before it, it feels as though Fuller is not yet happy about ‘Scope, and unless you have a giant TV it looks very tableau-heavy, with small [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Parallax View&#8217;s Best of 2010</title>
		<link>http://parallax-view.org/2011/01/01/parallax-best-of-the-year-lists-2010/</link>
		<comments>http://parallax-view.org/2011/01/01/parallax-best-of-the-year-lists-2010/#comments</comments>
		<pubDate>Sat, 01 Jan 2011 13:20:22 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[by Andrew Wright]]></category>
		<category><![CDATA[by David Coursen]]></category>
		<category><![CDATA[by Jay Kuehner]]></category>
		<category><![CDATA[by John Hartl]]></category>
		<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Editor]]></category>
		<category><![CDATA[lists]]></category>
		<category><![CDATA[Best of 2010]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7025</guid>
		<description><![CDATA[Welcome 2011 with one last look back at the best releases of 2010, as seen by the contributors to Parallax View. Sean Axmaker 1. Carlos 2. Let Me In 3. The Social Network 4. White Material 5. Winter&#8217;s Bone 6. The Ghost Writer 7. Wild Grass 8. Eccentricities Of A Blond Haired Girl 9. Sweetgrass [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Ride the High Country</title>
		<link>http://parallax-view.org/2010/04/26/ride-the-high-country/</link>
		<comments>http://parallax-view.org/2010/04/26/ride-the-high-country/#comments</comments>
		<pubDate>Mon, 26 Apr 2010 12:39:19 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Westerns]]></category>
		<category><![CDATA[Ride the High Country]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4550</guid>
		<description><![CDATA[This was written in 1990 for a film series called &#8220;Myth of the West&#8221; at the Henry Art Gallery in Seattle. As a program note, it&#8217;s a brief introduction to Ride the High Country; its references to Peckinpah beginning to fade from film history are even keener now that it&#8217;s been over a quarter-century since [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>One last list of lists for 2009 – The Year in Cinema</title>
		<link>http://parallax-view.org/2010/01/30/one-last-list-of-lists-for-2009-%e2%80%93-the-year-in-cinema/</link>
		<comments>http://parallax-view.org/2010/01/30/one-last-list-of-lists-for-2009-%e2%80%93-the-year-in-cinema/#comments</comments>
		<pubDate>Sun, 31 Jan 2010 02:55:49 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[by Andrew Wright]]></category>
		<category><![CDATA[by Greg Way]]></category>
		<category><![CDATA[by John Hartl]]></category>
		<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[lists]]></category>
		<category><![CDATA[Best of 2009]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4227</guid>
		<description><![CDATA[Squeezing in just before the Oscar nominations are announced, here are a few final lists and remarks from Parallax View contributors and friends, along with those published by Seattle top critics, as a snapshot of the way we see 2009. Sean Axmaker A  dozen for this list, including two 2008 national releases that debuted in [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Rose</title>
		<link>http://parallax-view.org/2009/11/20/review-the-rose/</link>
		<comments>http://parallax-view.org/2009/11/20/review-the-rose/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 15:12:11 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Alan Bates]]></category>
		<category><![CDATA[Barry Primus]]></category>
		<category><![CDATA[Bette Midler]]></category>
		<category><![CDATA[David Keith]]></category>
		<category><![CDATA[Frederic Forrest]]></category>
		<category><![CDATA[Harry Dean Stanton]]></category>
		<category><![CDATA[Mark Rydell]]></category>
		<category><![CDATA[Movietone News 64-65]]></category>
		<category><![CDATA[The Rose]]></category>
		<category><![CDATA[Vilmos Zsigmond]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3649</guid>
		<description><![CDATA[[Originally published in Movietone News 64-65, March 1980] &#8220;You know, I&#8217;m so tired of the road,&#8221; sighs Bette Midler into a telephone near the end of the film. There&#8217;s a hesitation in her voice on the word &#8216;road&#8217; as if she were going to say, &#8220;I&#8217;m so tired of The Rose&#8221; instead. This would not [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Review: Cuba</title>
		<link>http://parallax-view.org/2009/11/18/review-cuba/</link>
		<comments>http://parallax-view.org/2009/11/18/review-cuba/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 15:07:54 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Brooke Adams]]></category>
		<category><![CDATA[Chris Sarandon]]></category>
		<category><![CDATA[Cuba]]></category>
		<category><![CDATA[Denholm Elliott]]></category>
		<category><![CDATA[Hector Elizondo]]></category>
		<category><![CDATA[Jack Weston]]></category>
		<category><![CDATA[Movietone News 64-65]]></category>
		<category><![CDATA[Richard Lester]]></category>
		<category><![CDATA[Sean Connery]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3647</guid>
		<description><![CDATA[[Originally published in Movietone News 64-65, March 1980] Robert Dapes (Sean Connery) is a British mercenary who arrives in Cuba to help train soldiers for Batista&#8217;s collapsing regime. When he checks in with the British embassy on his arrival, he is informed by an official (who gingerly supports Batistaâ€”until the prevailing winds blow from another [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Star Trek &#8211; The Motion Picture</title>
		<link>http://parallax-view.org/2009/11/10/review-star-trek-the-motion-picture/</link>
		<comments>http://parallax-view.org/2009/11/10/review-star-trek-the-motion-picture/#comments</comments>
		<pubDate>Wed, 11 Nov 2009 05:56:15 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[DeForest Kelley]]></category>
		<category><![CDATA[Gene Roddenberry]]></category>
		<category><![CDATA[George Takei]]></category>
		<category><![CDATA[Grace Lee Whitney]]></category>
		<category><![CDATA[James Doohan]]></category>
		<category><![CDATA[Leonard Nimoy]]></category>
		<category><![CDATA[Majel Barrett]]></category>
		<category><![CDATA[Movietone News 64-65]]></category>
		<category><![CDATA[Nichelle Nichols]]></category>
		<category><![CDATA[Persis Khambatta]]></category>
		<category><![CDATA[Robert Wise]]></category>
		<category><![CDATA[Star Trek: The Motion Picture]]></category>
		<category><![CDATA[Stephen Collins]]></category>
		<category><![CDATA[Walter Koenig]]></category>
		<category><![CDATA[William Shatner]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3651</guid>
		<description><![CDATA[[Originally published in Movietone News 64-65, March 1980] Regarding the immense, murky, superintelligent cloud that threatens to destroy the planet Earth, one anonymous spaceperson remarks, â€œThere must be something incredible inside generating it!â€ I wish the same could be said for the immense Star Trekâ€”The Motion Picture, which disappoints by seeming to have no driving [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2009/11/10/review-star-trek-the-motion-picture/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Quadrophenia</title>
		<link>http://parallax-view.org/2009/11/06/review-quadrophenia/</link>
		<comments>http://parallax-view.org/2009/11/06/review-quadrophenia/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 23:49:55 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Franc Roddam]]></category>
		<category><![CDATA[Movietone News 64-65]]></category>
		<category><![CDATA[Pete Townshend]]></category>
		<category><![CDATA[Quadrophenia]]></category>
		<category><![CDATA[The Who]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3612</guid>
		<description><![CDATA[[Originally published in Movietone News 64-65, March 1980] The movie starts out with a pretty good indication of what itâ€™s going to be made of: A young man stares out over the golden ocean towards the sun, then turns and walks toward the camera, his silhouette remaining in the streak of sun on the waves. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Wanderers</title>
		<link>http://parallax-view.org/2009/11/05/review-the-wanderers/</link>
		<comments>http://parallax-view.org/2009/11/05/review-the-wanderers/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 07:42:08 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Karen Allen]]></category>
		<category><![CDATA[Ken Wahl]]></category>
		<category><![CDATA[Movietone News 64-65]]></category>
		<category><![CDATA[Philip Kaufman]]></category>
		<category><![CDATA[The Wanderers]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3605</guid>
		<description><![CDATA[[Originally published in Movietone News 64-65, March 1980] One of the most affecting moments in Philip Kaufmanâ€™s Invasion of the Body Snatchers was the swamping of the soundtrack with an amplified-bagpipe version of â€œAmazing Graceâ€ as the remaining human searched the night world for a means of escape. The cargo ship whose radio is the [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2009/11/05/review-the-wanderers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Changeling</title>
		<link>http://parallax-view.org/2009/09/26/review-the-changeling/</link>
		<comments>http://parallax-view.org/2009/09/26/review-the-changeling/#comments</comments>
		<pubDate>Sat, 26 Sep 2009 19:55:58 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[George C. Scott]]></category>
		<category><![CDATA[Movietone News 66-67]]></category>
		<category><![CDATA[Peter Medak]]></category>
		<category><![CDATA[The Changeling]]></category>
		<category><![CDATA[Trish Van Devere]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3175</guid>
		<description><![CDATA[[Originally published in Movietone News 66-67, March 1981] Perhaps itâ€™s looking back from the vantage point of a cinematically uninspiring summer that makes The Changeling seem such inoffensive fun. The qualities that The Changeling can boastâ€”a clean, controlled look, a handful of chills, the feeling that the filmmakers are not about to shortchange us even [...]]]></description>
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		<slash:comments>0</slash:comments>
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