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	<title>Parallax View &#187; by Robert Horton</title>
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	<description>Smart Words About Cinema</description>
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		<title>Mission: Impossible II (The Cornfield #53)</title>
		<link>http://parallax-view.org/2011/12/18/mission-impossible-ii-the-cornfield-53/</link>
		<comments>http://parallax-view.org/2011/12/18/mission-impossible-ii-the-cornfield-53/#comments</comments>
		<pubDate>Sun, 18 Dec 2011 18:32:57 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Mission: Impossible II]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10009</guid>
		<description><![CDATA[I haven’t seen the new one yet. Instead, a 2000 Film.com review of the second installment. The rap on the first Mission: Impossible movie was that nobody could understand the plot. Still, the picture was a worldwide blockbuster, so the problems of lucidity couldn’t have been that troubling, right? At least that’s the attitude seemingly [...]]]></description>
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		<title>Deep Impact (The Cornfield #51)</title>
		<link>http://parallax-view.org/2011/12/11/deep-impact-the-cornfield-51/</link>
		<comments>http://parallax-view.org/2011/12/11/deep-impact-the-cornfield-51/#comments</comments>
		<pubDate>Sun, 11 Dec 2011 23:19:25 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Deep Impact]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9968</guid>
		<description><![CDATA[More near-misses lately in the world of asteroids and their relationship to Earth, prompting a visit to a Film.com review of the non-Armageddon from 1998. As it turned out, I was wrong about Armageddon not being just as much a soap opera as Deep Impact; read about the grisly results here. And MSNBC is still [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Wilde (The Cornfield #50)</title>
		<link>http://parallax-view.org/2011/12/04/wilde-the-cornfield-50/</link>
		<comments>http://parallax-view.org/2011/12/04/wilde-the-cornfield-50/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 04:42:00 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Stephen Fry]]></category>
		<category><![CDATA[Wilde]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9932</guid>
		<description><![CDATA[Anglo-Irish literary subjects are on my mind at the moment, and Oscar Wilde died on Nov. 30, 1900, and that’s about it justifying a look at a 1998 Film.com review of a rather disappointingly normal movie. One of the elements of Wilde, the film bio of the great Oscar Fingal O’Flaherty Wills Wilde, is the suggestion that [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Thirteen Days (The Cornfield #49)</title>
		<link>http://parallax-view.org/2011/11/27/thirteen-days-the-cornfield-49/</link>
		<comments>http://parallax-view.org/2011/11/27/thirteen-days-the-cornfield-49/#comments</comments>
		<pubDate>Sun, 27 Nov 2011 18:08:30 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Kevin Costner]]></category>
		<category><![CDATA[Roger Donaldson]]></category>
		<category><![CDATA[Thirteen Days]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9832</guid>
		<description><![CDATA[We just passed the anniversary of the assassination of John F. Kennedy, which will serve as pretext for re-printing a 2000 Film.com review of a movie I found particularly annoying. I think I’ll stick with The Missiles of October. That 1974 TV production (shot on video, if memory serves), starring William Devane as John F. [...]]]></description>
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		<title>Tomcats (The Cornfield #48)</title>
		<link>http://parallax-view.org/2011/11/20/tomcats-the-cornfield-48/</link>
		<comments>http://parallax-view.org/2011/11/20/tomcats-the-cornfield-48/#comments</comments>
		<pubDate>Sun, 20 Nov 2011 18:31:39 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Tomcats]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9806</guid>
		<description><![CDATA[A Film.com review from 2001, this time hitting the nadir. In the old days of stupid teen sex comedies, a certain amount of gratuitous female nudity was implicit in the purchase price of the ticket. One could expect a Peeping Tom scene involving the girls’ shower, for instance, or a never-to-be-seen-again starlet doffing her bikini [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sweet November (The Cornfield #47)</title>
		<link>http://parallax-view.org/2011/11/13/sweet-november-the-cornfield-47/</link>
		<comments>http://parallax-view.org/2011/11/13/sweet-november-the-cornfield-47/#comments</comments>
		<pubDate>Sun, 13 Nov 2011 22:31:00 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Charlize Theron]]></category>
		<category><![CDATA[Keanu Reeves]]></category>
		<category><![CDATA[Pat O’Connor]]></category>
		<category><![CDATA[Sweet November]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9767</guid>
		<description><![CDATA[At least one more Film.com review from 2001, this one a particularly flaccid remake. Pat O’Connor’s directorial output has been sufficiently uneven (Cal on the plus side, Inventing the Abbotts on the other) that it is credible he could turn out something as monumentally silly as Sweet November. I, for one, find it hard to [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Freddy Got Fingered (The Cornfield #46)</title>
		<link>http://parallax-view.org/2011/11/06/freddy-got-fingered-the-cornfield-46/</link>
		<comments>http://parallax-view.org/2011/11/06/freddy-got-fingered-the-cornfield-46/#comments</comments>
		<pubDate>Sun, 06 Nov 2011 19:58:28 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Freddy Got Fingered]]></category>
		<category><![CDATA[Tom Green]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9676</guid>
		<description><![CDATA[We continue trolling for Film.com reviews from 2001. Incredibly, this is not the low point. I remember seeing the trailer for this film with a preview audience full of Tom Green’s demographic, and the forceful laughter they supplied to the jokes in the trailer had a kind of defiant quality, like “This is our guy, you [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Dish (The Cornfield #45)</title>
		<link>http://parallax-view.org/2011/10/23/the-dish-the-cornfield-45/</link>
		<comments>http://parallax-view.org/2011/10/23/the-dish-the-cornfield-45/#comments</comments>
		<pubDate>Sun, 23 Oct 2011 16:48:52 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Rob Sitch]]></category>
		<category><![CDATA[Sam Neill]]></category>
		<category><![CDATA[The Dish]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9542</guid>
		<description><![CDATA[And another Film.com review from 2001. This movie is one of those unheralded little Aussie pictures (Love Serenade is another) that provide a large amount of feel-good. The Dish comes to us from the Australian filmmaking group that made The Castle, a splendidly silly film (and a huge hit down under). They’ve come a long [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Town &amp; Country (The Cornfield #44)</title>
		<link>http://parallax-view.org/2011/10/16/town-country-the-cornfield-44/</link>
		<comments>http://parallax-view.org/2011/10/16/town-country-the-cornfield-44/#comments</comments>
		<pubDate>Sun, 16 Oct 2011 17:48:50 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Andie MacDowell]]></category>
		<category><![CDATA[Charlton Heston]]></category>
		<category><![CDATA[Diane Keaton]]></category>
		<category><![CDATA[Garry Shandling]]></category>
		<category><![CDATA[Goldie Hawn]]></category>
		<category><![CDATA[Jenna Elfman]]></category>
		<category><![CDATA[Nastassja Kinski]]></category>
		<category><![CDATA[Peter Chelsom]]></category>
		<category><![CDATA[Town & Country]]></category>
		<category><![CDATA[Warren Beatty]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9487</guid>
		<description><![CDATA[I’m reprinting a few Film.com reviews from 2001. And besides, one had to address the unending demand for more material on Town &#38; Country. When Charlton Heston is the funniest thing in a comedy, you’ve got problems. Such is the case with Town &#38; Country, the star-crossed film that strands a group of talented people [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The House of Mirth (The Cornfield #43)</title>
		<link>http://parallax-view.org/2011/10/16/the-house-of-mirth-the-cornfield-43/</link>
		<comments>http://parallax-view.org/2011/10/16/the-house-of-mirth-the-cornfield-43/#comments</comments>
		<pubDate>Sun, 16 Oct 2011 17:44:04 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Eric Stoltz]]></category>
		<category><![CDATA[Gillian Anderson]]></category>
		<category><![CDATA[Terence Davies]]></category>
		<category><![CDATA[The House of Mirth]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9485</guid>
		<description><![CDATA[For a variety of reasons, the next few weeks in the Cornfield will be devoted to “Ten Years Gone”: movies released in 2001. This is my Film.com review of an under-appreciated gem. Gillian Anderson’s performance as Lily Bart in The House of Mirth is weirdly un-modern—the actress seems to have tapped directly into the mindset [...]]]></description>
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