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	<title>Parallax View &#187; by Richard T. Jameson</title>
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	<description>Smart Words About Cinema</description>
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		<title>Moments Out of Time 1987</title>
		<link>http://parallax-view.org/2012/05/15/moments-out-of-time-1987/</link>
		<comments>http://parallax-view.org/2012/05/15/moments-out-of-time-1987/#comments</comments>
		<pubDate>Wed, 16 May 2012 00:18:47 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[lists]]></category>
		<category><![CDATA[Moments out of Time]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11096</guid>
		<description><![CDATA[[Originally published in Pacific Northwest, January 1988] • Hope and Glory: Down among the green leaves of his family&#8217;s backyard garden, young Bill Rohan (Sebastian Rice Edwards) confronts the wizard Merlin, while in the house the stillness of the adults ’round a grumbling radio signals that the Second World War has just been declared&#8230;. • [...]]]></description>
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		<title>DVD: &#8216;The Samuel Fuller Film Collection&#8217;</title>
		<link>http://parallax-view.org/2012/05/09/dvd-the-samuel-fuller-film-collection/</link>
		<comments>http://parallax-view.org/2012/05/09/dvd-the-samuel-fuller-film-collection/#comments</comments>
		<pubDate>Thu, 10 May 2012 00:37:38 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Adventure in Sahara]]></category>
		<category><![CDATA[It Happened in Hollywood]]></category>
		<category><![CDATA[Power of the Press]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Scandal Sheet]]></category>
		<category><![CDATA[Shockproof]]></category>
		<category><![CDATA[The Crimson Kimono]]></category>
		<category><![CDATA[Underworld U.S.A.]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11035</guid>
		<description><![CDATA[A year after its landmark release of Budd Boetticher&#8217;s &#8220;Ranown&#8221; Westerns, Sony showcases another great maverick filmmaker. Samuel Fuller spent most of his career in B pictures, creating ultrapersonal, formula-defying films that got little notice from workaday reviewers but impressed sharp critics like Andrew Sarris and Manny Farber. His streetwise worldview, his voice, his advisedly [...]]]></description>
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		<title>At last &#8230; the really &#8216;Big Red One&#8217;</title>
		<link>http://parallax-view.org/2012/05/09/at-last-the-really-big-red-one/</link>
		<comments>http://parallax-view.org/2012/05/09/at-last-the-really-big-red-one/#comments</comments>
		<pubDate>Wed, 09 May 2012 13:13:06 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Bobby DiCiccio]]></category>
		<category><![CDATA[Brian Jamieson]]></category>
		<category><![CDATA[Christa Lang Fuller]]></category>
		<category><![CDATA[Kelly Ward]]></category>
		<category><![CDATA[Lee Marvin]]></category>
		<category><![CDATA[Mark Hamill]]></category>
		<category><![CDATA[Perry Lang]]></category>
		<category><![CDATA[Richard Schickel]]></category>
		<category><![CDATA[Robert Carradine]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Siegfried Rausch]]></category>
		<category><![CDATA[The Big Red One]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10854</guid>
		<description><![CDATA[[originally published in Steadycam, February 13, 2005; an earlier version of this article was published late 2004 in Queen Anne &#38; Magnolia News] Samuel Fuller—whose credit on his movies always read WRITER PRODUCER • DIRECTOR SAMUEL FULLER with WRITER on top like that—came to Seattle in May 1976 for a special appearance with two of [...]]]></description>
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		<title>The Summer &#8216;Jaws&#8217; Ate the Movies</title>
		<link>http://parallax-view.org/2012/05/05/the-summer-jaws-ate-the-movies/</link>
		<comments>http://parallax-view.org/2012/05/05/the-summer-jaws-ate-the-movies/#comments</comments>
		<pubDate>Sat, 05 May 2012 23:30:52 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10934</guid>
		<description><![CDATA[No one could have foretold, in the lazy, post-Watergate summer of 1975, that the Spielbergian tide swelling on the horizon would forever wash away tried-and-true traditions in the summer movie business. Nor could anyone have guessed how the success of a single film about a fish with very big teeth would lead to the kind [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Creature Contact</title>
		<link>http://parallax-view.org/2012/05/01/creature-contact/</link>
		<comments>http://parallax-view.org/2012/05/01/creature-contact/#comments</comments>
		<pubDate>Tue, 01 May 2012 16:30:58 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Dead Pigeon on Beethovenstrasse]]></category>
		<category><![CDATA[Fixed Bayonets]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Run of the Arrow]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[The Steel Helmet]]></category>
		<category><![CDATA[Underworld U.S.A.]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10886</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] Sam Fuller visited the Seattle Film Society the weekend of May 8 and, among many other things that happened within 46-and-a-half exhilarating, excruciating, mind-boggling, adrenalin-jagging hours, he told a story about Lazslo Kovacs and The Last Movie, in which Fuller played a movie director for director-of-the-movie Dennis [...]]]></description>
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		<title>Review: Shoot</title>
		<link>http://parallax-view.org/2012/04/22/review-shoot/</link>
		<comments>http://parallax-view.org/2012/04/22/review-shoot/#comments</comments>
		<pubDate>Sun, 22 Apr 2012 18:39:00 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Cliff Robertson]]></category>
		<category><![CDATA[Dick Berg]]></category>
		<category><![CDATA[Ernest Borgnine]]></category>
		<category><![CDATA[Gloria Carlin Chetwynd]]></category>
		<category><![CDATA[Harvey Hart]]></category>
		<category><![CDATA[Helen Shaver]]></category>
		<category><![CDATA[Henry Silva]]></category>
		<category><![CDATA[James Blendick]]></category>
		<category><![CDATA[Kate Reid]]></category>
		<category><![CDATA[Larry Reynolds]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Shoot]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10815</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] Guy starts his movie with loving closeups of a ramrod squeezing oil down a rifle bore and a hand stroking off the outer barrel, he&#8217;d better have either a sense of humor or a deep enough fetishistic commitment to justify the indulgence. Harvey Hart, a Canadian director [...]]]></description>
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		<item>
		<title>Review: Mother, Jugs and Speed</title>
		<link>http://parallax-view.org/2012/04/10/review-mother-jugs-and-speed/</link>
		<comments>http://parallax-view.org/2012/04/10/review-mother-jugs-and-speed/#comments</comments>
		<pubDate>Tue, 10 Apr 2012 18:03:19 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Allen Garfield]]></category>
		<category><![CDATA[Bill Cosby]]></category>
		<category><![CDATA[Bruce Davison]]></category>
		<category><![CDATA[Harvey Keitel]]></category>
		<category><![CDATA[L.Q. Jones]]></category>
		<category><![CDATA[Larry Hagman]]></category>
		<category><![CDATA[Mother Jugs and Speed]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Peter Yates]]></category>
		<category><![CDATA[Raquel Welch]]></category>
		<category><![CDATA[Severn Darden]]></category>
		<category><![CDATA[Tom Mankiewicz]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10758</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] Although the advertising works hard to suggest Mother, Jugs and Speed is &#8220;a black and blue comedy&#8221; in the tradition of M*A*S*H, the actual film bears little resemblance to Altman&#8217;s in the areas that count. It&#8217;s a cynical comedy and it deals with unsentimental souls on the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fritz Lang, among others</title>
		<link>http://parallax-view.org/2012/04/01/fritz-lang-among-others/</link>
		<comments>http://parallax-view.org/2012/04/01/fritz-lang-among-others/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 00:14:23 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Fritz Lang]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10711</guid>
		<description><![CDATA[Late last year—late afternoon on 2011&#8242;s final day, in fact—I emailed the editors of the forthcoming book Film Noir: The Directors my essay on Fritz Lang. As of March 1, the book has come forth in reality. A couple of dozen film noir scholars and/or fans have written on slightly more than that number of key [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The French they are a filmic race: Rendez-Vous with French Cinema</title>
		<link>http://parallax-view.org/2012/03/14/the-french-they-are-a-filmic-race-rendez-vous-with-french-cinema/</link>
		<comments>http://parallax-view.org/2012/03/14/the-french-they-are-a-filmic-race-rendez-vous-with-french-cinema/#comments</comments>
		<pubDate>Wed, 14 Mar 2012 23:57:33 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Rendez-Vous with French Cinema]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10593</guid>
		<description><![CDATA[Among the best reasons for feeling optimistic about the expanded reach of SIFF Cinema—the new facilities at Seattle Center and the acquisition of the three Uptown screens nearby—is that it increases Seattleites&#8217; chances of getting access to institutional film programming from elsewhere in the movie universe. Case in point: the imminent sampling of &#8220;Rendez-Vous with [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Review: Midway</title>
		<link>http://parallax-view.org/2012/03/14/review-midway/</link>
		<comments>http://parallax-view.org/2012/03/14/review-midway/#comments</comments>
		<pubDate>Wed, 14 Mar 2012 15:44:23 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Charlton Heston]]></category>
		<category><![CDATA[Christine Kobuko]]></category>
		<category><![CDATA[Cliff Robertson]]></category>
		<category><![CDATA[Dabney Coleman]]></category>
		<category><![CDATA[Donald S. Sanford]]></category>
		<category><![CDATA[Ed Nelson]]></category>
		<category><![CDATA[Edward Albert]]></category>
		<category><![CDATA[Glenn Ford]]></category>
		<category><![CDATA[Hal Holbrook]]></category>
		<category><![CDATA[Henry Fonda]]></category>
		<category><![CDATA[James Coburn]]></category>
		<category><![CDATA[James Shigeta]]></category>
		<category><![CDATA[Midway]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Robert Mitchum]]></category>
		<category><![CDATA[Robert Wagner]]></category>
		<category><![CDATA[Robert Webber]]></category>
		<category><![CDATA[Toshiro Mifune]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10583</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] To make an uninvolving movie out of one of the most decisive battles of the Second World War may seem a dubious challenge, but there&#8217;s no denying Universal their full credit in meeting it. Midway has very little to recommend it. Persons who never subjected themselves to [...]]]></description>
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