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	<title>Parallax View &#187; by Kathleen Murphy</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>&#8216;The Woman in Black&#8217;: One Dreary Dame</title>
		<link>http://parallax-view.org/2012/02/02/the-woman-in-black-one-dreary-dame/</link>
		<comments>http://parallax-view.org/2012/02/02/the-woman-in-black-one-dreary-dame/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 03:16:00 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Daniel Radcliffe]]></category>
		<category><![CDATA[James Watkins]]></category>
		<category><![CDATA[Jane Goldman]]></category>
		<category><![CDATA[Susan Hill]]></category>
		<category><![CDATA[The Woman in Black]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10240</guid>
		<description><![CDATA[&#8220;The Woman in Black&#8221; has scared the bejesus out of audiences since first materializing in Susan Hill&#8217;s 1983 faux-gothic novel. Subsequently, this Victorian ghost story&#8217;s been adapted for British radio and television, and even for the stage. (The play opened in 1989 and is still selling tickets &#8212; the second-longest run in London history.) Now [...]]]></description>
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		<title>&#8216;Man on a Ledge&#8217; Wobbles</title>
		<link>http://parallax-view.org/2012/01/27/man-on-a-ledge-wobbles/</link>
		<comments>http://parallax-view.org/2012/01/27/man-on-a-ledge-wobbles/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 17:57:32 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Asger Leth]]></category>
		<category><![CDATA[Ed Harris]]></category>
		<category><![CDATA[Elizabeth Banks]]></category>
		<category><![CDATA[Man on a Ledge]]></category>
		<category><![CDATA[Sam Worthington]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10207</guid>
		<description><![CDATA[Asger Leth made his directorial bones with Ghosts of Cité Soleil, a hard-hitting documentary about the crime-ridden slums of Haiti&#8217;s Port-au-Prince, advertised as the most dangerous place on Earth. The multi-talented Leth also wrote, photographed and provided production design for &#8220;Ghosts,&#8221; which garnered good notices for visceral immediacy, as well as some critical cavils about [...]]]></description>
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		<title>Shakespeare&#8217;s &#8216;Coriolanus&#8217; Made Contemporary</title>
		<link>http://parallax-view.org/2012/01/19/shakespeares-coriolanus-made-contemporary/</link>
		<comments>http://parallax-view.org/2012/01/19/shakespeares-coriolanus-made-contemporary/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 14:03:50 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Coriolanus]]></category>
		<category><![CDATA[Ralph Fiennes]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10150</guid>
		<description><![CDATA[First-time director Ralph Fiennes brings one of Shakespeare&#8217;s lesser-known tragic heroes to ferocious life in Coriolanus, played in modern dress but voiced in the bard&#8217;s eloquently corrosive language. Fiennes acted this anti-social über-soldier, based on a legendary Roman general, on the London stage in 2000 and came to believe that Coriolanus&#8217; rise and fall might [...]]]></description>
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		<title>Moments Out of Time 2011</title>
		<link>http://parallax-view.org/2012/01/06/moments-out-of-time-2011/</link>
		<comments>http://parallax-view.org/2012/01/06/moments-out-of-time-2011/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 19:46:24 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Best of 2011]]></category>
		<category><![CDATA[Moments out of Time]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10099</guid>
		<description><![CDATA[Images, lines, gestures, moods from the year&#8217;s films — Tinker Tailor Soldier Spy: Control (John Hurt), aced out of MI6 after the disaster in Budapest, announces, &#8220;Smiley is coming with me.&#8221; Smiley (Gary Oldman), his back to the camera, tilts his head a millimeter &#8212; surprise? acceptance? both?&#8230; — The Descendants: the sound Matt King&#8217;s [...]]]></description>
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		<title>Meryl the Magnificent</title>
		<link>http://parallax-view.org/2012/01/03/meryl-the-magnificent/</link>
		<comments>http://parallax-view.org/2012/01/03/meryl-the-magnificent/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 17:15:15 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[Meryl Streep]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10075</guid>
		<description><![CDATA[From her first moments on-screen, Meryl Streep commanded the camera&#8217;s — and our — rapt gaze. It wasn&#8217;t just her luminous beauty. Even in early supporting roles, Streep&#8217;s acting radiated such remarkable passion and intelligence the Golden Girl stole center stage from anointed stars like Dustin Hoffman and Robert De Niro. Delivering stellar performances that [...]]]></description>
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		</item>
		<item>
		<title>Parallax View&#8217;s Best of 2011</title>
		<link>http://parallax-view.org/2012/01/01/parallax-views-best-of-2011/</link>
		<comments>http://parallax-view.org/2012/01/01/parallax-views-best-of-2011/#comments</comments>
		<pubDate>Sun, 01 Jan 2012 22:35:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[by Andrew Wright]]></category>
		<category><![CDATA[by John Hartl]]></category>
		<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[lists]]></category>
		<category><![CDATA[Best of 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10063</guid>
		<description><![CDATA[Welcome 2012 with one last look back at the best releases of 2011, as seen by the contributors to Parallax View. Critics listed in reverse alphabetical order Andrew Wright (as posted at Salt Lake Weekly) 1. Melancholia 2. Rise of the Planet of the Apes 3. Cave of Forgotten Dreams 4. 13 Assassins 5. Drive [...]]]></description>
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		<title>Spielberg Goes Old Fashioned with &#8216;War Horse&#8217;</title>
		<link>http://parallax-view.org/2011/12/22/spielberg-goes-old-fashioned-with-war-horse/</link>
		<comments>http://parallax-view.org/2011/12/22/spielberg-goes-old-fashioned-with-war-horse/#comments</comments>
		<pubDate>Thu, 22 Dec 2011 13:59:22 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[War Horse]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10031</guid>
		<description><![CDATA[Few directors possess Steven Spielberg&#8217;s gift for imagining movie worlds with such dynamism and exhilarating cinematic precision. His Dickensian taste for tales of abandonment and reunion speaks to the lost child in all of us, defining the primal desire for home, in boy or man, alien or artificial intelligence, war or peace. But in some [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The Best of 2011 on MSN</title>
		<link>http://parallax-view.org/2011/12/17/the-best-of-2011-on-msn/</link>
		<comments>http://parallax-view.org/2011/12/17/the-best-of-2011-on-msn/#comments</comments>
		<pubDate>Sat, 17 Dec 2011 18:41:02 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[lists]]></category>
		<category><![CDATA[Best of 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10002</guid>
		<description><![CDATA[MSN Movies published its annual Best of the Year poll this week, featuring Top Ten lists from thirteen MSN writers including a trio of Parallax View contributors: Richard T. Jameson, Kathleen Murphy and Sean Axmaker. The rest of the line-up isn&#8217;t too shabby either: Jim Emerson, Don Kaye, Glenn Kenny, Kim Morgan, Mary Pols, James [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Jonah Hill&#8217;s &#8216;The Sitter&#8217; Is Wonderfully Wrong</title>
		<link>http://parallax-view.org/2011/12/10/jonah-hills-the-sitter-is-wonderfully-wrong/</link>
		<comments>http://parallax-view.org/2011/12/10/jonah-hills-the-sitter-is-wonderfully-wrong/#comments</comments>
		<pubDate>Sat, 10 Dec 2011 22:57:16 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[David Gordon Green]]></category>
		<category><![CDATA[Jonah Hill]]></category>
		<category><![CDATA[The Sitter]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9965</guid>
		<description><![CDATA[&#8220;How&#8217;d you find me?&#8221; inquires Noah Griffith (Jonah Hill), dazed survivor of a mad night&#8217;s journey into manhood. Smiling, his radiant girlfriend-to-be (Kylie Bunbury) quips: &#8220;I just followed the trail of bread crumbs.&#8221; That line&#8217;s a clue that The Sitter&#8216;s something more than a buffet of superbad yuks and hijinks courtesy of the funny fat [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8216;I Melt With You&#8217;: Oh, You Men</title>
		<link>http://parallax-view.org/2011/12/08/i-melt-with-you-oh-you-men/</link>
		<comments>http://parallax-view.org/2011/12/08/i-melt-with-you-oh-you-men/#comments</comments>
		<pubDate>Fri, 09 Dec 2011 02:05:38 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[I Melt With You]]></category>
		<category><![CDATA[Mark Pellington]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9951</guid>
		<description><![CDATA[Opening with slices from four dead-ended lives and a series of stark white-on-black, screen-spanning plaints (&#8220;I don&#8217;t love my wife,&#8221; &#8220;I can&#8217;t get hard,&#8221; &#8220;I&#8217;m scared,&#8221; etc.), I Melt With You screams downer from the get-go. Director Mark Pellington dreamed up this story with writer Glenn Porter, possibly under the delusion they were crafting something like [...]]]></description>
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