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	<title>Parallax View &#187; by Kathleen Murphy</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>Still Life: &#8216;Robin and Marian&#8217;</title>
		<link>http://parallax-view.org/2012/05/21/still-life-robin-and-marian/</link>
		<comments>http://parallax-view.org/2012/05/21/still-life-robin-and-marian/#comments</comments>
		<pubDate>Mon, 21 May 2012 18:22:07 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Audrey Hepburn]]></category>
		<category><![CDATA[David Watkin]]></category>
		<category><![CDATA[Denholm Elliott]]></category>
		<category><![CDATA[Esmond Knight]]></category>
		<category><![CDATA[Ian Holm]]></category>
		<category><![CDATA[James Goldman]]></category>
		<category><![CDATA[John Barrett]]></category>
		<category><![CDATA[John Barry]]></category>
		<category><![CDATA[Kenneth Haigh]]></category>
		<category><![CDATA[Movietone News 49]]></category>
		<category><![CDATA[Nicol Williamson]]></category>
		<category><![CDATA[Richard Harris]]></category>
		<category><![CDATA[Richard Lester]]></category>
		<category><![CDATA[Robert Shaw]]></category>
		<category><![CDATA[Robin and Marian]]></category>
		<category><![CDATA[Ronnie Barker]]></category>
		<category><![CDATA[Sean Connery]]></category>
		<category><![CDATA[Victoria Abril]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11142</guid>
		<description><![CDATA[[Originally published in Movietone News 49, April 1976] Ripeness has gone to rot with a vengeance in Richard Lester&#8217;s latest film. In some wasteland out at the edge of the world (patently not a holy land) a one-eyed old man and some women and children hide out in a cracked, ungarrisoned castle and do not [...]]]></description>
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		<title>Good &#8216;Samaritan&#8217;</title>
		<link>http://parallax-view.org/2012/05/19/good-samaritan/</link>
		<comments>http://parallax-view.org/2012/05/19/good-samaritan/#comments</comments>
		<pubDate>Sat, 19 May 2012 14:12:10 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[David Weaver]]></category>
		<category><![CDATA[Samuel L. Jackson]]></category>
		<category><![CDATA[The Samaritan]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11132</guid>
		<description><![CDATA[Like most casualties of Noirland, Foley (Samuel L. Jackson) is pretty much DOA from the get-go. Haunted by the moment he put a bullet into his grifter partner&#8217;s head, he gets out of jail after a 25-year stretch to find his world mostly emptied of old friends, lovers, fellow thieves. Foley walks heavy, age and [...]]]></description>
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		<title>Supercharged Actor-Director Collaborations</title>
		<link>http://parallax-view.org/2012/05/12/supercharged-actor-director-collaborations/</link>
		<comments>http://parallax-view.org/2012/05/12/supercharged-actor-director-collaborations/#comments</comments>
		<pubDate>Sat, 12 May 2012 17:22:58 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Johnny Depp]]></category>
		<category><![CDATA[Tim Burton]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11066</guid>
		<description><![CDATA[When a director throws a cinematic frame around an actor, literally dictating how audiences will see the man or woman caught in the camera&#8217;s gaze, that&#8217;s real power—and it can be a form of possession. The high-voltage connection—between a filmmaker&#8217;s visual imagination and the performer who brings it to life—can be mutually productive, a fertile [...]]]></description>
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		<title>&#8216;I Wish&#8217;: More Poetry From Kore-eda</title>
		<link>http://parallax-view.org/2012/05/10/i-wish-more-poetry-from-kore-eda/</link>
		<comments>http://parallax-view.org/2012/05/10/i-wish-more-poetry-from-kore-eda/#comments</comments>
		<pubDate>Thu, 10 May 2012 13:31:57 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Hirokazu Kore-eda]]></category>
		<category><![CDATA[I Wish]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11030</guid>
		<description><![CDATA[Japanese Railways commissioned writer-director Hirokazu Kore-eda to make I Wish as publicity for the Shinkansen bullet train. In response, the director of Still Walking&#8221; one of 2010&#8242;s best, delivered a cinematic poem. Nothing much happens in this happy tribute to the gentle art of being human, unless you count a bunch of immensely likable kids taking a long [...]]]></description>
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		<title>The Steel Helmet: &#8220;I&#8217;ve got a hunch we&#8217;re all going around in circles&#8221;</title>
		<link>http://parallax-view.org/2012/05/07/the-steel-helmet-ive-got-a-hunch-were-all-going-around-in-circles/</link>
		<comments>http://parallax-view.org/2012/05/07/the-steel-helmet-ive-got-a-hunch-were-all-going-around-in-circles/#comments</comments>
		<pubDate>Mon, 07 May 2012 17:36:56 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Gene Evans]]></category>
		<category><![CDATA[Harold Fong]]></category>
		<category><![CDATA[James Edwards]]></category>
		<category><![CDATA[Lynn Stalmaster]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Neyle Morrow]]></category>
		<category><![CDATA[Richard Loo]]></category>
		<category><![CDATA[Richard Monahan]]></category>
		<category><![CDATA[Robert Hutton]]></category>
		<category><![CDATA[Robert L. Lippert]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Sid Melton]]></category>
		<category><![CDATA[Steve Brodie]]></category>
		<category><![CDATA[The Steel Helmet]]></category>
		<category><![CDATA[William Chun]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10995</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] There are two kind of people in The Steel Helmet: those who are dead and those who are about to be; men who have ceased to move anywhere and mean anything, and those whose idiosyncratic, even crazy energy keeps them in motion until they too are stopped [...]]]></description>
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		<title>Summer Movies Pack Heat: The Summer Movie Guide</title>
		<link>http://parallax-view.org/2012/05/05/summer-movies-pack-heat-the-summer-movie-guide/</link>
		<comments>http://parallax-view.org/2012/05/05/summer-movies-pack-heat-the-summer-movie-guide/#comments</comments>
		<pubDate>Sat, 05 May 2012 14:26:19 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10932</guid>
		<description><![CDATA[As the weather warms up, so do our movie screens. Summer&#8217;s the season when hulky superheroes rise and tentpole franchises rule, all aiming to break the bank big-time. Get ready for close encounters with a posse of cinematic bad boys &#8212; dark knights, men in black, aliens and bloodsuckers, grifters and drug lords. Grrl power [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Screening Edgar Allan Poe, Master of the Macabre</title>
		<link>http://parallax-view.org/2012/04/26/screening-edgar-allan-poe-master-of-the-macabre/</link>
		<comments>http://parallax-view.org/2012/04/26/screening-edgar-allan-poe-master-of-the-macabre/#comments</comments>
		<pubDate>Fri, 27 Apr 2012 00:21:19 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Edgar Allan Poe]]></category>
		<category><![CDATA[The Tell-Tale Heart]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10835</guid>
		<description><![CDATA[Opening April 27, The Raven stars a serial killer who reenacts the famously grotesque homicides conjured up by Edgar Allan Poe (John Cusack) in his many tales of perversity. During his final drunken, drug-addled days, the writer who invented the detective genre helps the police hunt down the mocking murderer. To mark The Raven&#8216;s flight, we invite you to savor [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Quoth This &#8216;Raven&#8217;: Ever-Bore</title>
		<link>http://parallax-view.org/2012/04/26/quoth-this-raven-ever-bore/</link>
		<comments>http://parallax-view.org/2012/04/26/quoth-this-raven-ever-bore/#comments</comments>
		<pubDate>Thu, 26 Apr 2012 14:50:51 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[James McTeigue]]></category>
		<category><![CDATA[John Cusack]]></category>
		<category><![CDATA[The Raven]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10830</guid>
		<description><![CDATA[The Raven casts Edgar Allan Poe (John Cusack) as a P.I. of sorts, a not entirely surprising role for the writer credited with inventing detective fiction. During the final week of his life, the down-and-out writer teams up with the Baltimore police to hunt down a killer who copycats grisly homicides based on Poe&#8217;s &#8220;The Murders [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8216;Moth Diaries&#8217; Flames Out</title>
		<link>http://parallax-view.org/2012/04/23/moth-diaries-flames-out/</link>
		<comments>http://parallax-view.org/2012/04/23/moth-diaries-flames-out/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 17:05:08 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Lily Cole]]></category>
		<category><![CDATA[Mary Harron]]></category>
		<category><![CDATA[Sara Bolger]]></category>
		<category><![CDATA[Scott Speedman]]></category>
		<category><![CDATA[The Moth Diaries]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10819</guid>
		<description><![CDATA[The Moth Diaries closets a clutch of Lolitas in an all-girls&#8217; boarding school, the only male within hailing distance a lit prof (Scott Speedman) who gets off on teaching vampire fiction &#8212; &#8220;sex, blood and death&#8221; &#8212; to his itchy charges. Then a new student, affectless, pale as a ghost, strangely lacking any appetite for institutional [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>A Dull Portrait of &#8216;The Lady&#8217;</title>
		<link>http://parallax-view.org/2012/04/12/a-dull-portrait-of-the-lady/</link>
		<comments>http://parallax-view.org/2012/04/12/a-dull-portrait-of-the-lady/#comments</comments>
		<pubDate>Thu, 12 Apr 2012 20:10:31 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[David Thewlis]]></category>
		<category><![CDATA[Luc Besson]]></category>
		<category><![CDATA[Michelle Yeoh]]></category>
		<category><![CDATA[The Lady]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10766</guid>
		<description><![CDATA[The Lady, Luc Besson&#8217;s handsome biopic about Aung San Suu Kiy (Michelle Yeoh), may be largely a dramatic dud, but there are a couple compelling reasons to watch it. The saga of Burma&#8217;s Joan of Arc (recently triumphant) transcends pedestrian filmmaking, and one is grateful for Besson&#8217;s honorable, if undistinguished, effort to commemorate this Nobel Peace [...]]]></description>
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