“Now that professional opportunities have expanded and marriage has lost both its inviolability and its exclusivity, what are we to make of Lisa Berndle and of a love at once heroic and wildly destructive, even delusional? One of the marks of a great film is how it changes over time as social context and you, the viewer, change. Certain themes recede, others emerge, sympathies shift, reappraisals are in order. The lens widens. Is Lisa’s besottedness a mark of daring or sheer masochism? Inspired and slightly idiotic? Is she heroine or anti-heroine? Could it be both?” Ophüls’s Letter from an Unknown Woman remains unmatched in its portrait of l’amour fou, Molly Haskell argues, because however it felt its heroine’s keening, its perception is wide enough to encompass the decency of those left in its wake.
“The Harder They Come’s relationship to reggae, however, goes beyond music. The film is immersed in Jamaica’s everyday life and culture reflected through the creative beauty of reggae’s flesh and blood: Ivan’s struggle for a better life in the face of a rigid class structure; the presence of the Rastafari (in the person of the character Pedro) as righteous beacons of peace, love, and equity; the use of the Jamaican language; the argot of body movement through action and dance; and, of course, the reggae rhythm itself. Deeply and vitally engaged with all aspects of the movement, The Harder They Come is the film component of Jamaica’s reggae-influenced golden age.” Klive Walker recounts the phenomenon that was The Harder They Come, an introduction to movie screens of a country, music (reggae) and spirituality (Rastafari) that was so highly anticipated the audience at its Kingston premiere wouldn’t disperse to let in the Prime Minister.