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	<title>Parallax View &#187; Actors</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
	<lastBuildDate>Wed, 08 Feb 2012 16:26:40 +0000</lastBuildDate>
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		<title>A Streep for all seasons, especially this one</title>
		<link>http://parallax-view.org/2012/01/22/a-streep-for-all-seasons-especially-this-one/</link>
		<comments>http://parallax-view.org/2012/01/22/a-streep-for-all-seasons-especially-this-one/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 02:32:46 +0000</pubDate>
		<dc:creator>Sheila Benson</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Sheila Benson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[Sophie’s Choice]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10191</guid>
		<description><![CDATA[Have not awakened from deep Streep mode over here. Partly because the Weinstein Company has been working her like a dog to see that The Iron Lady gets a decent lift-off. Thus her Kennedy Center Honors now, a Vogue cover, a Newsweek cover, plus an appearance – and an unsurprising win — at the otherwise [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Meryl the Magnificent</title>
		<link>http://parallax-view.org/2012/01/03/meryl-the-magnificent/</link>
		<comments>http://parallax-view.org/2012/01/03/meryl-the-magnificent/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 17:15:15 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[Meryl Streep]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10075</guid>
		<description><![CDATA[From her first moments on-screen, Meryl Streep commanded the camera&#8217;s — and our — rapt gaze. It wasn&#8217;t just her luminous beauty. Even in early supporting roles, Streep&#8217;s acting radiated such remarkable passion and intelligence the Golden Girl stole center stage from anointed stars like Dustin Hoffman and Robert De Niro. Delivering stellar performances that [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Bill Hunter and &#8220;Newsfront&#8221;</title>
		<link>http://parallax-view.org/2011/05/26/bill-hunter-and-newsfront/</link>
		<comments>http://parallax-view.org/2011/05/26/bill-hunter-and-newsfront/#comments</comments>
		<pubDate>Fri, 27 May 2011 01:39:57 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Angela Punch McGregor]]></category>
		<category><![CDATA[Bill Hunter]]></category>
		<category><![CDATA[Bryan Brown]]></category>
		<category><![CDATA[Chris Haywood]]></category>
		<category><![CDATA[Gerard Kennedy]]></category>
		<category><![CDATA[Newsfront]]></category>
		<category><![CDATA[Phillip Noyce]]></category>
		<category><![CDATA[Wendy Hughes]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8272</guid>
		<description><![CDATA[Bill Hunter (1940-2011), a character-acting mainstay of Australian cinema, died May 21. A household name in his native land, he appeared in more than a hundred films and TV episodes, starting with an unbilled bit in the 1957 The Shiralee. He had a twinkle both wry and weary, and a hardpan voice that seemed ordained [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Me and Maggie the Cat &#8211; A very personal appreciation of Elizabeth Taylor (1932-2011)</title>
		<link>http://parallax-view.org/2011/03/23/me-and-maggie-the-cat-a-very-personal-appreciation-of-elizabeth-taylor-1932-2011/</link>
		<comments>http://parallax-view.org/2011/03/23/me-and-maggie-the-cat-a-very-personal-appreciation-of-elizabeth-taylor-1932-2011/#comments</comments>
		<pubDate>Wed, 23 Mar 2011 19:19:51 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Elizabeth Taylor]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7729</guid>
		<description><![CDATA[&#8220;I&#8217;ve been through it all, baby. I&#8217;m Mother Courage.&#8221; &#8220;What&#8217;s the victory of a cat on a hot tin roof? Just stayin&#8217; on it, I guess.&#8221; In 2007, my blood boiled as &#8220;Entertainment Tonight&#8221; gushed ghoulishly over the possibility that 75-year-old Elizabeth Taylor had a &#8220;new boyfriend&#8221; &#8212; referring to the gay black gentleman who escorted [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;The Man I Love,&#8221; &#8220;Road House&#8221; and Ida Lupino: The Noir Heroine</title>
		<link>http://parallax-view.org/2011/02/18/the-man-i-love-road-house-and-ida-lupino-the-noir-heroine/</link>
		<comments>http://parallax-view.org/2011/02/18/the-man-i-love-road-house-and-ida-lupino-the-noir-heroine/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 18:15:17 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Cornel Wilde]]></category>
		<category><![CDATA[Edmond O'Brien]]></category>
		<category><![CDATA[Frank Lovejoy]]></category>
		<category><![CDATA[Ida Lupino]]></category>
		<category><![CDATA[Jean Negulesco]]></category>
		<category><![CDATA[Raoul Walsh]]></category>
		<category><![CDATA[Richard Widmark]]></category>
		<category><![CDATA[Road House]]></category>
		<category><![CDATA[Robert Alda]]></category>
		<category><![CDATA[The Hitch-Hiker]]></category>
		<category><![CDATA[The Man I Love]]></category>
		<category><![CDATA[William Talman]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7509</guid>
		<description><![CDATA[If Barbara Stanwyck was the Queen B of film noir (as she dubbed in an iconic issue of Film Comment), Ida Lupino was its tough cookie, a beauty with brass and a dame who knew the score. She was a romantic heroine who could hold her own against the brawny heroes and rough villains of [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Acting for Oscar</title>
		<link>http://parallax-view.org/2011/02/15/acting-for-oscar-whom-does-matt-damon-have-to-pay-to-get-an-oscar-nom-or-win/</link>
		<comments>http://parallax-view.org/2011/02/15/acting-for-oscar-whom-does-matt-damon-have-to-pay-to-get-an-oscar-nom-or-win/#comments</comments>
		<pubDate>Wed, 16 Feb 2011 03:19:45 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Matt Damon]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7475</guid>
		<description><![CDATA[Toward the end of last year, a friend and I were e-mailing about Clint Eastwood&#8217;s Hereafter. Released in mid-October, the film, a meditative journey along the boundary between life and death, had already done a fast fade as a commercial prospect (death is such a downer) and subject for awards speculation. My friend disdains Eastwood&#8217;s [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/02/15/acting-for-oscar-whom-does-matt-damon-have-to-pay-to-get-an-oscar-nom-or-win/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Elisha Cook</title>
		<link>http://parallax-view.org/2010/11/11/elisha-cook/</link>
		<comments>http://parallax-view.org/2010/11/11/elisha-cook/#comments</comments>
		<pubDate>Fri, 12 Nov 2010 02:49:51 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Elisha Cook Jr.]]></category>
		<category><![CDATA[The Maltese Falcon]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=6318</guid>
		<description><![CDATA[I posted the piece on The Maltese Falcon last week. Today I rewatched a few minutes of They Won&#8217;t Forget and thought, let&#8217;s have a little remembrance for an indispensable man. This was written as an obit fifteen years ago. If they gave career Oscars to character actors, nobody would have had a better claim [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>&#8220;Directing doesn&#8217;t start on the floor&#8221;: Claude Goretta and Isabelle Huppert Interviewed</title>
		<link>http://parallax-view.org/2010/08/16/directing-doesnt-start-on-the-floor-claude-goretta-and-isabelle-huppert-interviewed/</link>
		<comments>http://parallax-view.org/2010/08/16/directing-doesnt-start-on-the-floor-claude-goretta-and-isabelle-huppert-interviewed/#comments</comments>
		<pubDate>Mon, 16 Aug 2010 12:06:04 +0000</pubDate>
		<dc:creator>Judith M. Kass</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Judith M. Kass]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Claude Goretta]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<category><![CDATA[Movietone News 58-59]]></category>
		<category><![CDATA[The Invitation]]></category>
		<category><![CDATA[The Lacemaker]]></category>
		<category><![CDATA[The Wonderful Crook]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=5721</guid>
		<description><![CDATA[[Originally published in Movietone News 58-59, August 1978] The Lacemaker (La DentelliÃ¨re) was shown in the 1977 New York Film Festival. Claude Goretta, the director, and Isabelle Huppert, who costarred with Yves Beneyton, were interviewed before the film had opened commercially. The Lacemaker is the story of a young girl, employed at a beauty parlor, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>The Man Behind Walter Bishop: &#8220;Fringe&#8221; star John Noble interviewed</title>
		<link>http://parallax-view.org/2010/04/02/the-man-behind-walter-bishop-fringe-star-john-noble-interviewed/</link>
		<comments>http://parallax-view.org/2010/04/02/the-man-behind-walter-bishop-fringe-star-john-noble-interviewed/#comments</comments>
		<pubDate>Fri, 02 Apr 2010 17:31:37 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Fringe]]></category>
		<category><![CDATA[John Noble]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4561</guid>
		<description><![CDATA[Australian thespian John Noble was best know to American audiences as King Denethor in Peter Jackson&#8217;s Lord of the Rings films before he became Walter Bishop in Fringe. The character is a tortured genius who spent 17 years in a mental facility, treated with heavy doses of pharmaceuticals and receiving no visitors, until he was [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2010/04/02/the-man-behind-walter-bishop-fringe-star-john-noble-interviewed/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;I had to risk not being liked in that scene&#8221; &#8211; Michael Murphy Interviewed</title>
		<link>http://parallax-view.org/2010/03/28/i-had-to-risk-not-being-liked-in-that-scene-michael-murphy-interviewed/</link>
		<comments>http://parallax-view.org/2010/03/28/i-had-to-risk-not-being-liked-in-that-scene-michael-murphy-interviewed/#comments</comments>
		<pubDate>Sun, 28 Mar 2010 23:02:23 +0000</pubDate>
		<dc:creator>Judith M. Kass</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Judith M. Kass]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[An Unmarried Woman]]></category>
		<category><![CDATA[Brewster McCloud]]></category>
		<category><![CDATA[Michael Murphy]]></category>
		<category><![CDATA[Movietone News 60-61]]></category>
		<category><![CDATA[The Arrangement]]></category>
		<category><![CDATA[The Front]]></category>
		<category><![CDATA[What's Up Doc?]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4522</guid>
		<description><![CDATA[[Originally published in Movietone News 60-61, February 1979] May 9, 1978 New York City Judith M. Kass: Vincent Canby of The New York Times called your acting in An Unmarried Woman &#8220;an exceptionally complex performance as the husband whose emotional problems set in motion the events that make possible the Clayburgh character&#8217;s eventual liberation.&#8221; I&#8217;m [...]]]></description>
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