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Sean Axmaker

I Wake Up Streaming – March 2019

I just started a new monthly column for the Film Noir Foundation that searches out and showcases classic film noir available to stream. Here is the debut installment….

As any fan of classic movies seeking treasures on streaming services knows, it’s a wasteland out there. There are oases, of course, but at any given time there are fewer options for pre-1970 movies between the three major streaming services—Netflix, Amazon Prime Video, and Hulu—than you could find in your better neighborhood video stores twenty years ago.

Given that, there are some treasures to be found out there, especially on Prime Video. The problem is knowing what to look for. Since the shuttering of FilmStruck, there really isn’t a service that curates its catalog of classics (Kanopy, a free service offered from public and college libraries, is an exception). So, consider this your guide to streaming noir, and, for this inaugural installment, we’ll look at the options among the big three streamers.

Netflix

Netflix is first in subscriber numbers but last in its commitment to classic movies. It does, however, currently feature a couple of noir classics. Many services offer a copy of Orson Welles’ The Stranger (1946), with Orson Welles as a Nazi war criminal in hiding and Edward G. Robinson as the government agent on his trail. Netflix, to its credit, presents the superb Kino Classics master, which is also streaming on Kanopy.

Continue reading at Film Noir Foundation website

Streaming the 2019 Oscar nominees

The Academy Awards will be handed out on Sunday, February 24. Are you caught up on the major nominees?

Eight films made the cut in the category of best picture and a few of them are still in theaters, notably the offbeat royal drama The Favourite (2018, R), which came away with ten nominations, political commentary Vice (2018, R) which scored eight nomination, and Green Book (2018, PG-13), with five nominations in all.

Also still in theaters is Spider-Man: Into the Spider-Verse (2018, PG), the current favorite in the animated feature category.

A number of nominated films, however, are already available to watch at home. Here’s an easy guide to what you can see and how you can see them.

Best Picture

Two of the top nominees are currently available to stream on Netflix. Roma (Mexico, R, with subtitles) and Black Panther (PG-13).

Continue reading at Stream On Demand

The Best Current Source For Streaming Classic Movies is … Amazon Prime?

What is the classic movie fan to do in the era of Netflix? For a few glorious years FilmStruck was our salvation, offering a rich, well-curated collection of films from the silent era through the 1970s, something Netflix gave up on years ago. 

So with FilmStruck dead, where can the fan of classic movies—let’s say, just for the sake of argument, anything older than 40 years—get their fix without resorting to renting each and every title on iTunes or Fandango?

The answer might surprise you. The meatiest streaming source for world cinema classics is Kanopy, a free service offered through most (though not all) public and college library systems. But there’s a limit of five streams per month and while they carry hundreds of titles from the Criterion Collection from such directors as Akira Kurosawa and Ingmar Bergman, the collection of classic American cinema is relatively small.

That’s where Amazon Prime Video enters the picture. 

Continue reading at RogerEbert.com

Elvis and the Death of the American Dream, Through Movies

Elvis Presley is ostensibly the subject of The King, Eugene Jarecki’s expansive road movie of a documentary. The award-winning director drives Presley’s 1963 Rolls-Royce across the US, from Mississippi and Memphis to Nashville, New York, Las Vegas, Hollywood, and elsewhere, talking to historians, musicians, members of Presley’s inner circle, and everyday Americans. Elvis centers the film but is also a starting point for a much more wide-ranging discussion of the state of American life, and that discussion takes off in all directions. That Jarecki began his odyssey in the months leading up the 2016 election and ended up on the other side of it only adds fuel to the discussion.

Not of political identity, mind you, but of America itself. Elvis is the touchstone that centers it all, with Jarecki using his life and legacy as both a roadmap for the cultural odyssey and as a metaphor for the state of contemporary America.

And at the heart of the film is the question: Is the American dream dead, a victim of greed, excess, and increasing isolation?

Continue reading at Independent Lens

Film Noir on Blu-ray: ‘Moonrise,’ ‘Gun Crazy,’ ‘No Orchids,’ and the restored ‘Man Who Cheated Himself’

The Man Who Cheated Himself (Flicker Alley, Blu-ray+DVD)
Moonrise (Criterion, Blu-ray, DVD)
Gun Crazy (Warner Archive, Blu-ray)
No Orchids for Miss Blandish (Kino, Blu-ray, DVD)

Flicker Alley

Lee J. Cobb takes the lead as Lt. Ed Cullen, a veteran Homicide detective in a secret affair with socialite Lois Frazer (Jane Wyatt) while she’s in the midst of a divorce, in The Man Who Cheated Himself (1950), an independently-made film noir shot on location in San Francisco. When she shoots her soon-to-be-ex-husband (in self-defense), Ed looks over the incriminating evidence and decides that a cover-up is in her best interest. When he’s assigned the case, all looks good, except that his rookie partner—his newlywed and newly promoted younger brother Andy (John Dall)—digs into the evidence and uncovers contradictions in the case, despite Ed’s efforts to nudge him in other directions. It’s a classic good cop gone bad set-up but Ed isn’t greedy or corrupt, merely protective of the woman he loves, which gets complicated because he’s equally protective of his kid brother determined to pull at every loose thread. Wyatt is an unlikely femme fatale, less cold-blooded than practical, but Cobb is excellent as the tough mug of a cop swayed by love and the two deliver a beautifully understated coda that sums up their relationship without a word, merely glances and body language that suggests a tenderness that still exists between them. Dall is the opposite as the bright and energetic rookie on the trail of his first big case, with wide grins and a twinkle in his eye.

Continue reading at Stream On Demand

Blu-ray Animation: Deluxe ‘Totoro’ and the complete ‘Batman’

My Neighbor Totoro: 30th Anniversary Edition (Shout! Factory, Blu-ray)
Batman: The Complete Animated Series (Warner Bros., Blu-ray)

Photo credit: GKids/Shout! Factory
GKids/Shout! Factory

Hayao Miyazaki is one of Japan’s living treasures, a beloved filmmaker whose animated films number among the most beautiful and most enchanting productions ever drawn by hand. In this day of CGI productions, the aging artists still personally draws his key frames and defining characters, with a love and craft that comes through every frame. They may seem old fashioned and perhaps too sweet for American audiences—his films, while loved by many, have never found the huge audiences that flock to the more knowing and culturally savvy Pixar films and Shrek sequels—but the lovely fables, epic adventures, ecologically-minded dramas and modern fairy tales are all treasures.

My Neighbor Totoro (Japan, 1988) was Miyazaki’s first genuine masterpiece and perhaps my favorite of Miyazaki’s films.

Continue reading at Stream On Demand

Noir Now Playing: 1983

The title of 1983, a murder mystery turned conspiracy thriller from writer/creator Joshua Long, is more than an oblique reference to George Orwell’s 1984. Set in a parallel 2003 where the Berlin Wall never fell and the Communist Party has a chokehold on Poland, this alternate history opens on the 20th anniversary of devastating terrorist attacks. The national myth of martyred victims murdered by resistance groups and the necessary guidance of a benevolent government is trotted out in ceremonies celebrating Polish resilience. Katejan (Maciej Musial), a fresh-faced law student orphaned by the attacks and raised on such propaganda, is jolted from his complacency after his mentor, a beloved judge with deep Party ties, posits an unexpected question in his oral exams: what if the attacks didn’t backfire at all? What if they accomplished exactly what they were supposed to? When the professor is murdered by one of his students, Katejan starts to question everything he believes.

Continue reading at Noir Now Playing at Film Noir Foundation

Blu-ray: Orson Welles’ ‘The Magnificent Ambersons’ on Criterion

The Magnificent Ambersons (Criterion, Blu-ray, DVD)

How did it take so long for the sophomore feature from Orson Welles to finally get its Blu-ray debut?

I don’t need an answer, I’m just thrilled that it’s finally here, and in such a beautiful edition.

The Criterion Collection

The magnificence of The Magnificent Ambersons (1942) is apparent from the first frames of the film. Welles sketches a vivid, idealized portrait of American life in the late 19th century in a brilliant montage that sets the time, the place, and the culture in a series of postcard images and comic snapshots. While Welles narrates (in his glorious authorial voice with an understated warmth and familiarity) the changes in fashion through the years,the images introduce hopeful suitor Eugene Morgan (Joseph Cotten in his star-making performance) and disappointed heiress Isabel Amberson (Dolores Costello) and Welles effortlessly segues from exposition to story. The mix of silent movie-like compositions and imagery, striking montage, and radio drama narrative that introduces the world eases into a graceful, glorious long take that sweeps us into the “now” of the story: a ball at the Amberson Mansion, a place frozen in the past of those opening scenes, where social convention and grandeur are upheld for no reason other than tradition. It is beautiful, a portrait of wealth and culture out of touch with the world outside, and unconcerned with it. At its peril. Just as the fashions and conventions of society constantly evolved in those early montage sequences, so does industry and culture and life itself in the upheaval of progress in the 20th century.

Continue reading at Stream on Demand

Bernardo Bertolucci

[originally published in a booklet for the DVD release of Partner by NoShame in 2005]

The political and the sensual meet in the cinema of Bernardo Bertolucci. His visually dense and stylistically labyrinthine films are among the most beautiful — and the most provocative (The Last Tango in Paris) — ever made.His career straddles canvases both epic (1900,The Last Emperor) and intimate (Luna, Besieged), from defiantly Italian stories that reverberate with the echoes of Italy’s Fascist past to international dramas that explore culture,history, and spirituality around the world. All of them are beautifully crafted works attuned the texture of experience and the magic of the moment.

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What to stream: ‘Crazy Rich Asians’ on VOD, ‘First Reformed’ on Amazon, ‘Sorry to Bother You’ on Hulu

Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services …

A Chinese-American professor (Constance Wu) collides with the culture of the ultra-rich in Singapore when she meets her boyfriend’s family in Crazy Rich Asians (2018, PG-13), the hit romantic comedy based on the semi-autobiographical novel by Kevin Kwan. Henry Golding, Awkwafina, and Michelle Yeoh co-star. Now on Cable On Demand and VOD, also on DVD and at Redbox.

Ethan Hawke is a priest facing a spiritual crisis in the provocative First Reformed (2018, R), a personal drama from filmmaker Paul Schrader. Reviewed on Stream On Demand hereNow streaming on Amazon Prime Video.

Sorry to Bother You (2018, R), the feature debut of hip-hop artist turned filmmaker Boots Riley, is a social satire as comic fantasy starring Lakeith Stanfield as a telemarketer who finds the secret to sales success and rises up the ladder of a soulless corporation. Tessa Thompson, Jermaine Fowler, Terry Crews, Danny Glover, and Armie Hammer co-star. Streaming on Hulu.

The British miniseries version of the classic Little Women, starring Emily Watson as the mother of four sisters, originally played on PBS in the U.S. and is now streaming on Amazon Prime Video.

For something a little less serious, Mystery Science Theater 3000: The Gauntlet offers more cheesy films for Jonah Ray and the bots on the Satellite of Love to heckle. Six new episodes on Netflix.

FilmStruck, the premiere streaming service for American and international classic movies, ends its service after two years on Thursday, November 29. Criterion has announced a plan to restart its own service in Spring 2019 and Warner Media (parent company of Turner Classic Movies) promises to bring back its classics in a new streaming service in a year, but until then this is the end. If you’re a subscriber, time to see those films on your watchlist or browse through the catalog one last chance to stream some of the greatest films ever made.

Continue reading at Stream On Demand

What to stream: ‘The Ballad of Buster Scruggs’ and ‘Kominsky Method’ on Netflix, ‘The Children Act’ on Amazon

Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services …

Netflix broke with its policy for the release of The Ballad of Buster Scruggs (2018, R), the American frontier comedy from the Coen Brothers. Initially planned as a six-part series featuring the likes of James Franco, Liam Neeson, and Tim Blake Nelson, it was reworked as an anthology film and released to theaters a week before the streaming debut.

The Ballad of Buster Scruggs is one of the darkest movies by Joel and Ethan Coen, and also among the silliest,” observes New York Times film critic A.O. Scott. “It swerves from goofy to ghastly so deftly and so often that you can’t always tell which is which.

Streaming on Netflix.

Emma Thompson is superb as a judge facing a conflict between the professional and personal in The Children Act (2017, R), a powerful drama adapted by Ian McEwan from his novel. Reviewed on Stream On Demand hereStreaming on Amazon Prime Video.

Michael Douglas is a has-been actor who reinvents himself as a Hollywood acting coach in The Kominsky Method: Season 1. Alan Arkin co-stars in the Netflix Original comedy from creator Chuck Lorre.

Two new British co-productions explore fluid sexuality in the modern world. The Hulu Original series The Bisexual: Season 1 stars creator Desiree Akhavan as a lesbian New Yorker in London struggling to come out at bisexual. All six episodes now streaming on Hulu.

The cheeky British comedy Sally4Ever: Season 1 from creator Julia Davis, who stars as a seductive free spirit who tempts a suburban woman into a wild affair, begins on HBO with new episodes each Sunday.

Megan Griffiths’ Sadie (2018, not rated), an independent drama about an angry teenager (Sophia Mitri Schloss) who sabotages the romantic prospects of her single mother (Melanie Lynskey) while her soldier father is overseas, is now on VOD. Shot in Washington State, the film co-stars John Gallagher Jr.

Classic picks: Sidney Lumet directs the Oscar-winning satire Network (1976, R) with Faye Dunaway and William Holden and robbery-gone-wrong classic Dog Day Afternoon (1975, R) with Al Pacino and John Cazale.

Continue reading at Stream On Demand

What to stream: Chris Pine is ‘Outlaw King’ on Netflix, ‘Incredibles 2’ and ‘BlacKkKlansman’ on VOD

Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services …

Chris Pine stars in Outlaw King (2018, R) as Robert the Bruce, the 14th century Scottish nobleman who claimed the crown of Scotland and rallied his country to battle the occupying British army of King Edward I. It’s directed by David Mackenzie, who previously collaborated with Pine on Hell or High Water, and shot entirely on location in Scotland. Aaron Taylor-Johnson and Florence Pugh co-star.

Outlaw King tells a story that is both old and old-fashioned but does it in a decidedly modern way,” writes Kenneth Turan for Los Angeles Times, who suggests “it gives hope to moviegoers who value venerable action genres and will be pleased to see them showing signs of life.”

Manohla Dargis has a dissenting view: “At least in old Hollywood, filmmakers would also try to entertain you amid the clashes and post-combat huddles, giving you something more to watch and ponder than this movie’s oceans of mud, truckloads of guts and misty, unconsidered nationalism.”

It made its world premiere at the Toronto International Film Festival and opens in select theaters the same day it debuts on Netflix.

Pixar’s inventive superhero adventure/comedy Incredibles 2 (2018, PG) celebrates courage, family, and the challenges of raising a baby that can teleport, catch fire, and shoot lasers from his eyes with lots of zippy action and goofy gags. On Cable On Demand and VOD, also on DVD and at Redbox.

Spike Lee returns to form in BlacKkKlansman (2018, R), a savvy take on the true story of a black police officer (John David Washington) who infiltrated the Ku Klux Klan in 1970s Colorado. It’s provocative, satirical, angry, irreverent, outraged, and very timely. Cable On Demand, VOD, DVD, Redbox.

John Leguizamo’s Latin History for Morons (2018), a recording of the actor’s one-man Broadway show, distills 3,000 years of Latino history into a 95-minute comic monologue. On Netflix.

Classic pick: Sean Connery and Michael Caine are British soldiers of fortune in The Man Who Would Be King (1975, PG), John Huston’s grand adaptation of the sweeping Rudyard Kipling adventure. Reviewed on Stream on Demand hereStreaming on Amazon Prime Video.

Foreign language pick: Jean Vigo’s anarchic gem Zero for Conduct (France, 1933, with subtitles) celebrates the rebellious spirit of adolescent boys captivated by magic tricks and word games. Set in a strict boy’s school run by creaky, cranky petty tyrants, it’s a strange and wonderful film full of unbridled imagination, flights of fantasy, and delirious images. The first masterpiece of pre-pubescent self-actualization. On Prime Video.

Holiday essential: Every time you watch It’s a Wonderful Life (1946) an angel gets its wings. Prime Video also offers a colorized version but please watch it in the original black and white.

Continue reading at Stream On Demand

Review: Touch of Evil

[Originally written for Seattle Weekly, 1998]

Set the wayback machine to 1998. Parallax View presents reviews of films released 20 years ago, written by our contributors for various papers and websites. Most of these have not been available for years.

It takes chutzpah to monkey with Orson Welles, even for the best of reasons, and without a doubt this unprecedented revision of Touch of Evil was undertaken with the best intentions. While I can quibble with a few details, the result is a remarkable success. Forty years after the fact, producer Rick Schmidlin and Oscar winning film and sound editor Walter Murch have given Welles his due and made Touch of Evil into the film he wanted to make.

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Review: Gods and Monsters

[Originally written for Seattle Weekly, November 1998]

Set the wayback machine to 1998. Parallax View presents reviews of films released 20 years ago, written by our contributors for various papers and websites. Most of these have not been available for years.

In Bill Condon’s God and Monsters the ghost of Frankenstein’s monster haunts James Whale (Ian McKellan) even in retirement. Whale, the debonair, openly gay British director who came to Hollywood from the London stage to make “art” and had his greatest success with a string of “monster movies,” maintained a love-hate relationship with Frankenstein and Bride of Frankenstein almost all his life. Condon weaves the lumbering image of the misunderstood monster into the fabric of the film like a haunting memory that won’t go away.

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Blu-ray: Universal Classic Monsters: Complete 30-Film Collection

Universal Classic Monsters: Complete 30-Film Collection (Universal, Blu-ray)

Dracula, Frankenstein’s monster, the Wolf Man, and the Mummy have traversed the trail from horror icon to camp figure and back again and sparked the imaginations of readers and moviegoers for decades. Yet call forth the images nestled in the public consciousness and you’ll find that the figures created by Universal Studios, the home of Hollywood nightmares during the great gothic horror cycle of the 1930s and 1940s, have becomes the definitive versions of the great horror movie monsters.


Universal Pictures Home Entertainment

Universal has been upgrading and repackaging its library of classic monster movies and the franchises they launched through the 1930s-1950s on disc for almost 20 years. This new collection is the ultimate compilation. Previously released on DVD, it offers 4K restorations of all 30 films for Blu-ray, some for the first time. That means not just the bona fide Gothic horror masterpieces and monster movie landmarks previously on Blu-ray individually or in the “Legacy Collection” sets—Dracula (1931) with Bela Lugosi, Frankenstein (1931), The Mummy(1932), and The Bride of Frankenstein(1935) with Boris Karloff, The Invisible Man (1933) with Claude Rains, The Wolf Man (1941) with Lon Chaney Jr., the Technicolor Phantom of the Opera(1943) with Claude Rains, and the post-Gothic, atomic-era Creature From the Black Lagoon (1954) in standard and 3D versions, plus the Spanish language Dracula (1931)—but stand-out sequels such as Dracula’s Daughter (1936) and Son of Frankenstein (1939), the pre-Wolf Man The Werewolf of London(1935), Vincent Price in The Invisible Man Returns (1940), the mad monster parties Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), and House of Dracula (1945), and the surprisingly creepy horror comedy Abbott and Costello Meet Frankenstein (1948) among others, with all the commentary tracks, featurettes, and other supplements from earlier DVD and Blu-ray releases.

Continue reading at Stream On Demand