[Originally published in Movietone News 58-59, August 1978]
Céline and Julie Go Boating just may bring Jacques Rivette from the background to the foreground in the continuing history of French New Wave directors. Rivette is another of the Cahiers du cinéma writers who made his way from critic to director but, at least until now, has remained something of an unknown quantity, more mentioned than seen. Commercial and legal difficulties with his first two films (Paris Belongs to Us, 1958-60, and The Nun, 1962) meant that his movies were discussed by European observers long before they were shown (and then only briefly) in this country. His films since then have been extraordinarily long (Spectre runs 13 hours; Out One, a much shorter assemblage from the same footage, still runs four hours) and that may have a lot to do with the apparent lack of circulation accorded L’Amour fou, a four-hour Rivette which has had a U.S. distributor for some time but scant bookings.