The only links page that matters… except for all the others.
“Right now, I’m revolting against the conventions of movies. Who says a film has to cost a million dollars and be safe and innocuous enough to satisfy every 12-year-old in America?” Fifty years after her debut feature screened, fifteen years—sadly—after her death, Shirley Clarke and The Connection are making headlines again, courtesy of a restoration and return to theaters. Manohla Dargis offers a career retrospective, shot through with disbelief that such a game-changer remains a marginal figure in the histories. At Indiewire, Ann Hornaday and David Sterritt discuss how forward-thinking, and mischievous, the director truly was. Glenn Kenny takes exception to the glibness of that latter description in a fine appreciation. Milestone Films, for whom this is merely the first step in restoring many of Clarke’s films, also deserve a nod for their informative press kit, source of the opening quote and well worth a read. [this last link is a .pdf]
That last link above was spotted by David Hudson, as all of them are eventually. Hudson’s film roundups, which render efforts by others (yes, even Your Humble Aggregator) superfluous, have a new home at Fandor, which partnership is kicked off with a marvelous find: Trevor Stark’s history, from October Magazine, of Chris Marker and the SLON film cooperative’s partnership with workers from the Rhodiaceta textile factory in France. A revolutionary effort—admirable in its intentions, stymied by fractionalism and mistrust—that Marker, inevitably, viewed through the lens of the cinematic past, in this case Medvedkin’s ciné-trains. [.pdf]