Review: Roma

The opening shot of Alfonso Cuarón’s Roma is a self-contained masterpiece—no surprise, considering the mind-boggling opening shots of Children of Men and Gravity, the Oscar-winning director’s two previous features. Here, our focus on a section of elegant floor tiles is interrupted by a wash of water that flows in waves across the floor, a mysterious image that turns out to be a housemaid washing up the exposed entryway at a Mexico City house, a favorite spot for the family dog to do its (apparently prodigious) pooping. As the water accumulates, the image changes, and we can now see the reflection of the sky above the entryway.

The water, the sky, the dog poop—everything will play a role in this intimate yet somehow epic film, which Cuarón has said is based on his childhood memories of Mexico in the early 1970s. 

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