Review: Puzzle

August is not too early to start the Oscar guessing game, especially when the Academy itself is already teasing big changes for next year. A few days ago they breathlessly—and idiotically—announced the creation of a new award, for “Achievement in Popular Film,” details to be hammered out later. It’s Hollywood admitting they make a lot of dumb movies that will never win awards—an admission that won’t sit well with people making popular movies that are actually smart. The move also stems from panic over declining ratings for the Oscar telecast, allegedly because the audience hasn’t seen winners such as BirdmanSpotlight, or La La Land (sorry, I mean Moonlight). If the idea goes forward, it will likely mean that a superhero picture like Black Panther is relegated to the kiddie table of Best Popular Film, instead of getting nominated for Best Picture, which it probably would have anyway.

You may be thinking, “Haven’t the Oscars always been absurd?” Well, sure. For instance, actors generally win not for giving the best performances, but the showiest. This year an appropriately low-key sort of Oscar buzz is gathering around a genuinely deserving performance: Kelly Macdonald’s understated lead turn in Puzzle. The Scottish actress has bounced around agreeably since her 1996 debut in Trainspotting, nailing the occasional supporting appearance in a big movie (No Country for Old Men) and doing duty on TV (Boardwalk Empire). But this is the first time she’s ever really carried a film, and she’s frankly wonderful.

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