Review: Paris Can Wait

In the notes I jotted down while watching Paris Can Wait, I find these words scribbled: “Everything is off.” I don’t remember what specific scene or moment I was referring to, but I know what I meant. The timing is awkward, the camera doesn’t seem to know how to frame people for anything other than scenic effect, the actors sound uncertain. Odd shifts in tone are randomly distributed throughout the action. But wait, you might be asking, isn’t that “technical” stuff that only critics care about? To which I would say (if we can carry this imaginary conversation a little longer) that these shortcomings are not technical stuff, they are the movie itself, and they are the reason Paris Can Wait feels baggy and unoriginal. Everything is off, at the granular level.

Having said that, I get that Paris Can Wait might be liked by some viewers, in the same way you might like a bad painting of cheese because you just really love cheese.

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