Lime Kiln Club Field Day (1913) is not quite a movie—it’s a reconstruction of an unfinished film undertaken without complete materials or documentation—and at the same time it is much, much more. Starring Bert Williams, a major singer and stage star of the era, and Odessa Warren Grey, it’s not just one of the rare black cast films of the silent era. This is a portrait of urban black society that defies the stereotypes that became standard in American films just a few years later, featuring a wide array of classes and character types. Apart from its entertainment value (and even unfinished it is fun), it is a significant piece of cinematic, cultural, and social archaeology.
It plays on Monday, February 22 at the Paramount in the “Silent Movie Mondays” series with a filmed introduction by Rob Magliozza from the Museum of Modern Art (which undertook the restoration of the discovery), the Bert Williams short film A Natural Born Gambler (1916), and a post-screening discussion. Showtime and programming details here and for more background on the film, read Nsenga Burton’s essay here.
Miguel Gomes’ Arabian Nights Trilogy, adapted from “One Thousand and One Nights” and updated to contemporary Portugal, plays at SIFF Film Center this week. Each film—The Restless One, The Desolate One, and The Enchanted One—is a separate admission and plays multiple times throughout the week. Details and showtimes at SIFF.net.
John Huston’s The Maltese Falcon turns 75 this year and Fathom Events brings it back to the big screen in select theaters across the country for two nights this week: Sunday, February 21 and Wednesday, February 24. You can find participating theaters in your area here.
Theeb, the Academy Award nominee for Best Foreign Language Film from Jordan, is back to play for one show only on Monday, February 22 at SIFF Cinema Uptown. Details here.