The thirty ninth annual Seattle International Film Festival came to a close on Sunday, June 9, day twenty five of the marathon event, with the closing night film The Bling Ring, fresh from its debut at Cannes. Its two young stars, Katie Chang and Israel Broussard, were on hand to introduce the film and send the festival off to its gala closing night party.
Sofia Coppola has done marvelous work in ethereal studies of disconnection and emotional confusion, of people lost in their worlds or blinded by celebrity and affluence.
The Bling Ring fits in very nicely thematically to her growing body of work, but these kids don’t actually yearn for anything beyond fashion accessories and the thrill of robbing the rich and famous and lack any capacity for self-reflection. The dispassionate observation, intercut with social media alerts and pop culture snaps and stories, makes them a reflection of that world without offering us a character underneath worth caring about, or at least fascinated with enough to follow through.
Like Toronto’s, SIFF’s top awards—the Golden Space Needles, this year designed by local artist and sculptor Piper O’Neill—are voted on by the audiences. This year, with plenty of high-profile American indies and international imports on display, the surprise Best Picture winner was the warm-hearted Fanie Fourie’s Lobola, a South African romantic comedy that explores racial and social tensions through laughs (I sadly missed this one; the final show conflicted with my own rare appearance on a festival panel). Director Henk Pretorius, accepting the award via phone, said he would change the title because nobody gets it right. First runner: The Rocket, an uplifting Australian drama shot in Laos.