Oscar dark thirty

20 February, 2013 (14:51) | by Richard T. Jameson, Essays | By: Richard T. Jameson

Towering above all others? Ben Affleck, ‘Argo’

Argo, the movie inspired by the 1979 Iran hostage crisis, is going to win the Academy Award as best picture of 2012. Go ahead, place that bet in your office Oscar pool, but don’t expect to reap much advantage, because everybody else is just as sure that Argo is going to win.

The signs are impossible to miss, or to deny. Like The King’s Speech a couple years back, and like The Artist the year after that, Argo has been sweeping the film industry’s pre-Oscar contests: the Producers Guild Award, the ensemble award from the Screen Actors Guild, “outstanding directorial achievement” from the Directors Guild (DGA), and the BAFTAs—the trophies from the British Academy of Film and Television Arts—for best picture and direction. Since many of the voters in those various contests are also members of the Hollywood academy, they’ve already vouchsafed a de facto peek at a lot of Oscar ballots.

There is, to be sure, a notable break with the usual pattern. Most years, the director of the movie about to be named best picture will be called to the podium to collect the Oscar for best direction. And much more often than not, that Oscar victory has been predicted by a DGA win. So we’re on track, right? Ben Affleck, star and director of Argo, won the DGA. Yes, but. Whereas the five nominees for the DGA and those for the best-director Oscar tend to be the same, or pretty much the same, this year only two of the DGA nominees made it onto the Oscar slate. And neither of them was Ben Affleck.

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