Milestone to the Rescue: Dennis Doros on ten American independent films in need of restoration

8 December, 2012 (08:42) | by Sean Axmaker, Interviews, lists | By: Sean Axmaker

Milestone Films is raising funds via Kickstarter to fund a restoration of Shirley Clarke’s ‘Portrait of Jason.’

Dennis Doros and Amy Heller, partners in business and marriage, launched Milestone Films in 1990. They made a reputation for the company not merely for its restorations and revivals, but for rescuing and nurturing films that might otherwise have been drowned in the noise of the busy movie landscape, from Mikhail Kalatozov’s all but orphaned 1964 I Am Cuba to the 1972 documentary Winter Soldier (which was vilified in the 2004 presidential campaign) to, most recently, Shirley Clarke’s landmark indie The Connection. Dennis and Amy are currently raising funds to restore Clarke’s Portrait of Jason.

They are also members of the Association of Moving Image Archivists. Dennis came to the 2012 convention in Seattle (Amy, unfortunately, was unable to attend), where I was able to meet up with him. In the interests of full disclosure, I have known Dennis for years and had the pleasure to be a part of the commentary track with Sherman Alexie on Milestone’s DVD release of The Exiles. I can also report that Dennis knows more about the history of American independent cinema, and the forgotten and neglected works that deserve resurrection, than anyone I know. So I asked him to name the ten American independent films most in need of restoration.

“It’s not my ten best,” he’s careful to explain, “just the ones that I could personally support with great enthusiasm. There are tons more that I could add, but if we’re doing a list of ten, this is a cool list to consider and they each have their own merits and different reasons.”

1. The Cool World (Shirley Clarke, 1964) and the short films of Shirley Clarke “We started with Shirley Clarke because we thought it would be a great project to do and I really wanted to do the complete Shirley Clarke. And the only thing we do not have rights to is The Cool World. I think that we have her best films, The Connection and Portrait of Jason are my two favorites, but to represent Shirley in her entirety and to consider her entirety, it would help to have a beautiful version of The Cool World, which hasn’t been available yet.”

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