MOD Movies: Jean-Louis Trintignant is ‘The Outside Man’

14 July, 2012 (09:01) | by Sean Axmaker, DVD, Film Reviews | By: Sean Axmaker

The Outside Man (MGM Limited Edition Collection) is out-of-town contract killer Lucien Bellon (Jean-Louis Trintignant), a Paris gunman hired to take out a Los Angeles mob boss, which he does with no fuss or loose ends. Or so he thinks, until he realizes that he’s considered a loose end when a local hitman (Roy Scheider in a largely unspoken performance) targets him as he prepares to leave the country.

Though set and shot in Los Angeles, with a largely American cast (including Ann-Margret as the proverbial hooker with the heart of gold who helps Lucien out, Angie Dickinson, John Hillerman, Alex Rocco, Talia Shire, and Georgia Engel) and a distinctive score with funky soul guitar and wah-wah pedal, this gangster movie turned cat-and-mouse thriller is a French production with a European sensibility shot on the streets of Los Angeles.

Director Jacques Deray may not be the best French crime movie filmmaker of his era but he has way of taking his time and methodically playing out his situations. He isn’t so much interested in action as atmosphere and his portrait of American culture gives the crime movie conventions a distinctive sensibility. Deray and screenwriter Jean-Claude Carrière are fascinated with the urban landscape of Tower Records and hamburger joints and busy streets, and the perspective is as much from their perspective as it is of the Paris hitman abroad. Lucien runs across hippie hookers and a Jesus freak hitchhiker, checks the news on coin-operated TVs in the bus station, and takes refuge with a single mother and her bratty son (a very young Jackie Earle Haley), where they watch “Star Trek” reruns over dinner.

The script is clever and woven through with witty asides and blasts of dark humor, and if it never really tense or suspenseful, it features a superb cast (including Michel Constantin as Trintignant’s Paris connection, who flies in to help settle the score), some very clever set pieces, and a great look at American urban culture from a European perspective. And the obligatory third act payback, a matter of honor and obligation doomed to mutual destruction, is both perfectly American and utterly French. Some gangster movie conventions are universal.

Available by order only from the MGM Limited Edition Collection, from AmazonScreen Archives Entertainment,Critics’ Choice VideoClassic Movies NowWarner Archive, and other web retailers.

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Comments

Comment from Richard T. Jameson
Time July 14, 2012 at 9:19 am

Chacun à son goût, and all that jazz, but I question Deray and Carrière’s interest in “hippy hookers.” Or maybe these hookers are hippy; I haven’t seen The Outside Man since it came out, and I do not recall. Still, given the era, I suspect what we are dealing with here are hippie hookers. Cultural distinctions matter. Perhaps especially countercultural distinctions.

Comment from Editor
Time July 16, 2012 at 4:01 pm

You are correct. She wasn’t much in the way of hips, but she was certainly groovy, baby. Correction made.

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