Review: High Anxiety

[Originally published in Movietone News 58-59, August 1978]

The consistency of Young Frankenstein and Silent Movie have served to make us forget how embarrassingly unfunny Mel Brooks can be when he’s off his feed. It’s a long, hard road to the first genuinely good laugh in High Anxiety; and, though the film picks up after that, it never gets consistently good. In this heavily promoted Hitchcock sendup, Brooks is on safe ground only when specifically kidding Hitchcock’s camera style—like the low-angle camera that watches two characters through a glass coffee table, but keeps losing them amid a jungle of cups, saucers, and trays; or the overhead shot that ends with everyone suddenly looking straight up at the camera; or the shot-for-shot parody of Psycho’s shower scene. There are a half-dozen or so delicious moments like these in the film; but when Brooks relies on dialogue for laughs he goes juvenile on us, choking off most of the laughs. In attempting to lampoon Hitchcock’s plotting and thematic content, all Brooks is able to do is reduce the elegant, dry wit of the Master of Suspense to pasty, cream-pie level. Typical of the film’s ubiquitous failures is the climactic scene, a fusion of the tower scene from Vertigo with the return of John Ballantine’s memory in Spellbound: the way the scene is shot—with an impossibly blond Madeline Kahn and an impeccably dressed Mel Brooks caught on the ancient stairs—is hilarious; but the dialogue is so absurdly puerile that the comedy is diluted to water-thinness. At its unfunniest, High Anxiety is embarrassingly, even boringly limp; at its funniest, it’s never as funny as Hitchcock’s own work. “A Mister MacGuffin called,” indeed!

© 1978 Robert C. Cumbow

HIGH ANXIETY
Direction: Mel Brooks. Screenplay: Mel Brooks, Ron Clark, Rudy DeLuca, Barry Levinson. Cinematography: Paul Lohmann. Production design: Peter Wooley. Editing: John C. Howard. Special visual effects: Albert J. Whitlock. Music: John Morris; title song: Mel Brooks. Production: Brooks.
The players: Mel Brooks, Madeline Kahn, Cloris Leachman, Harvey Korman, Howard Morris, Dick Van Patten, Ron Carey, Charlie Callas.

A pdf of the original issue can be found here.


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